Rohitash Sikaraala, RK Nayak Shimla's ' "Phone Busy Aave Tharo Sari Raat" was released on its scheduled release date, March 7, 2025. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Phone Busy Aave Tharo Sari Raat only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Phone Busy Aave Tharo Sari Raat is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Phone Busy Aave Tharo Sari Raat by Rohitash Sikaraala, RK Nayak Shimla having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| मे हु आनी जानी | Dabangg Bisru, Asmeena Mewati | B Minor | 10 | 10A | 128 BPM | ||
| Bikaner | Vandana Jangid | D♭ Major | 7 | 3B | 110 BPM | ||
| Kangan Pichli Bar | Manish Sonipat Aala, YASHIKA SHARMA | E Minor | 8 | 9A | 196 BPM | ||
| Mele Mai Jaat | Sumit Khairpuriya | C Major | 10 | 8B | 134 BPM | ||
| Dj Ko Bad Bass | KR Devta | F Major | 10 | 7B | 145 BPM | ||
| Thari Jagmag Jyot Jalavu | Rohitash Sikaraala | A Minor | 9 | 8A | 113 BPM | ||
| Kaha Jaye Rahi Bhabhi Rachaye Ke Lali | Sandhya Choudhary, Bhanwar Khatana | E♭ Minor | 9 | 2A | 126 BPM | ||
| Parchayi (feat. Amar Kharkiya, Anjali Raghav) | Anjali 99, KG, Amar Kharkiya, Anjali Raghav | D♭ Minor | 5 | 12A | 171 BPM | ||
| Chhori Mai Ro Ro Bawalo Hogo | Rohitash Sikaraala, MAHENDRA KHETRI | A Major | 9 | 11B | 144 BPM | ||
| Teri Chikni Kaniya Dil Fisle | Hr Gurjar Goth | A Minor | 10 | 8A | 133 BPM | ||
| Nayak Shahab Ki Baata | RK Nayak Shimla | F♯ Minor | 9 | 11A | 90 BPM | ||
| Humare Baap Ka Savidhan | NISHANT SINGH SIKANDRABAD, Amit Jatav | D♭ Major | 9 | 3B | 130 BPM | ||
| Mohobbat Sapno Bankar Rahgi | Devi Shankar Saini | A♭ Major | 8 | 4B | 134 BPM | ||
| हरियाणा की सेक्सी छोरी | Shokeen Singer Mewati, Sakir Rupadiya | F♯ Minor | 10 | 11A | 125 BPM | ||
| बैठगी तेरी पल्सर पे | Irfan Bilagya, Star Irfan Pahat | B♭ Major | 9 | 6B | 115 BPM | ||
| Tere Dil Ki Awaaz Hoon Main | Vatsal Bhoya | F♯ Minor | 9 | 11A | 90 BPM | ||
| Lal Joda | Tarun Panchal | F Minor | 9 | 4A | 125 BPM | ||
| Teri Yad Ke Sahare | Jhullur Dada | B♭ Major | 10 | 6B | 125 BPM | ||
| जुवार को गड्डो में लारी | Afjal Singer Mewati, Sakir Rupadiya | F♯ Minor | 10 | 11A | 125 BPM | ||
| Up Ki Akad | Music Saif, NISHANT SINGH SIKANDRABAD | B Minor | 8 | 10A | 100 BPM | ||
| Bujha De Satan Dim Bijli | Hakku Singariya, Chanchal Mewati | E Major | 10 | 12B | 141 BPM | ||
| Jaan Meri Traffic Me Fas Ryo hu | Rohitash Sikaraala, RK Nayak Shimla | A Major | 8 | 11B | 105 BPM | ||
| Janaza mera jab uthaane Lagenge | Broken Vibes | F♯ Minor | 9 | 11A | 90 BPM | ||
| Lamba Lamba Bal Mummy Shauk Tagada | Raju Banka Kheda | A Major | 7 | 11B | 100 BPM | ||
| Chhamak Chhamak | Swara Verma, Pratham The Haryanvi | F♯ Major | 9 | 2B | 108 BPM |