Ned Moss's 'Fading Out' had a release date set for May 13, 2022. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Fading Out and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Fading Out's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Fading Out by Ned Moss is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Four Lost Souls | Dan Millson | B♭ Major | 6 | 6B | 123 BPM | ||
| A Tall Tall Climb | Bookie Baker, Dan Bern, Orit Shimoni | C Major | 5 | 8B | 124 BPM | ||
| Mr. Darkness | Charlie Bishop | A Major | 2 | 11B | 67 BPM | ||
| Greyhound | Wild Harbors | F♯ Major | 6 | 2B | 74 BPM | ||
| Wichita Blues | Josh Hughes | G Major | 3 | 9B | 80 BPM | ||
| A Life Worth Killing For (Inspired By The Motion Picture Frontier Crucible) | Sean Rowe | D Minor | 3 | 7A | 78 BPM | ||
| Omagh Lights | Luke Bell | B Minor | 7 | 10A | 183 BPM | ||
| Night Talking (After Dark) | Carter Hulsey, Amber Woodhouse | F Major | 4 | 7B | 81 BPM | ||
| Voice Inside | The Tumblers | B Major | 3 | 1B | 146 BPM | ||
| Days Like These | The Sons Of Guns | E Major | 5 | 12B | 75 BPM | ||
| Blame It On New England | Charlie Bishop | F Major | 6 | 7B | 117 BPM | ||
| A Big River | Reliable Child | B Major | 4 | 1B | 84 BPM | ||
| Let Me See | The Steel Wheels | G Major | 3 | 9B | 154 BPM | ||
| U-Turn | Ben Reneer, Joey Gutos | B♭ Major | 6 | 6B | 123 BPM | ||
| The Flood | GoldenOak | D Major | 4 | 10B | 106 BPM | ||
| It's Over | Alex Coley & Afterlove | E Minor | 3 | 9A | 108 BPM | ||
| Always On the Way | Kitty Andrew | D Major | 2 | 10B | 125 BPM | ||
| Oh My America | David Berkeley | E♭ Major | 3 | 5B | 94 BPM | ||
| Something Stupid | Sean Mack | B♭ Major | 6 | 6B | 123 BPM | ||
| Monsoon Season | J. Mason Murray | B♭ Major | 6 | 6B | 123 BPM | ||
| Tallest Tree | Reuben Bullock, Reuben And The Dark | C Major | 3 | 8B | 118 BPM | ||
| Holy Man | Garrett Willis | B♭ Major | 6 | 6B | 123 BPM | ||
| Who Knows | Somewhere In Between | C Major | 4 | 8B | 86 BPM | ||
| You Go Your Way | Cole Scheifele | A♭ Major | 6 | 4B | 122 BPM | ||
| South of the Border | Ryan Kennedy | A Major | 6 | 11B | 92 BPM |