Tom Chalmers's 'Black Saturday: Commentary - 7 September 1940' had a release date set for April 28, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 44 in the song's album "The Blitz (Vols. 1 & 2)". In this album, this song's track order is #7. The popularity of Black Saturday: Commentary - 7 September 1940 is currently not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Black Saturday: Commentary - 7 September 1940 by Tom Chalmers having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Did Your Mother Come From Ireland | Charlie Kunz | C Major | 1 | 8B | 111 BPM | ||
| Some Things Will Never Change | Tommy Dorsey Orchestra, Audrey Young | B♭ Major | 2 | 6B | 108 BPM | ||
| Tunes from the Other Room, Keeping the Vibe Alive | Oldies Playing | A♭ Minor | 1 | 1A | 67 BPM | ||
| Listen My Children (And You Shall Hear) | Count Basie, Lester Young | G Minor | 3 | 6A | 77 BPM | ||
| Don't Put the Blame on Me | Layton & Johnstone | F Major | 2 | 7B | 99 BPM | ||
| Black Coffee | Sarah Vaughan | B♭ Major | 1 | 6B | 77 BPM | ||
| The Frank Sinatra Show Vimms Vitamin Commercial | Frank Sinatra | C Major | 4 | 8B | 76 BPM | ||
| So Tired | Kay Starr | F♯ Major | 1 | 2B | 105 BPM | ||
| There'll Be Other Nights | Alice Faye | A♭ Major | 2 | 4B | 88 BPM | ||
| As I Walked out One Evening | W. H. Auden | B♭ Minor | 2 | 3A | 112 BPM | ||
| Lazy Moon | Laurel and Hardy | C Minor | 2 | 5A | 75 BPM | ||
| I've Been Drafted (Now I'm Drafting You) | Chuck Foster | F Minor | 4 | 4A | 95 BPM | ||
| The Causes of War | Winston Churchill | G Major | 2 | 9B | 92 BPM | ||
| Don't Get Around Much Anymore | Duke Ellington, Al Hibbler, Duke Ellington Orchestra | F Major | 1 | 7B | 83 BPM | ||
| Makin' Whoopee | Eddie Cantor | G Major | 2 | 9B | 81 BPM | ||
| It's A Wonderful World | Jan Garber, Fritz Heilbron, Tommy Traynor | A♭ Major | 2 | 4B | 127 BPM | ||
| What Would You Do | Bunny Berigan, Bob Causer's Cornellians | D♭ Major | 0 | 3B | 105 BPM | ||
| Broadway Melody | Ben Selvin Orchestra | B♭ Major | 2 | 6B | 96 BPM | ||
| Topsy Turvy | Cab Calloway | E♭ Major | 4 | 5B | 173 BPM | ||
| Under a Blanket of Blue | Glen Gray, Kenny Sargent, Casa Loma Orchestra | D♭ Major | 0 | 3B | 105 BPM | ||
| Be Like The Bluebird - (From "Anything Goes") | Cole Porter | D Major | 0 | 10B | 86 BPM | ||
| Sing It Way Down Low | Louis Prima, Joe "Wingy" Manone | F Major | 1 | 7B | 99 BPM | ||
| The Angels Cried | Martha Tilton, Hubert "Bumps" Myers, The Mellowaires | F♯ Major | 1 | 2B | 93 BPM | ||
| Mrs Worthington | Noel Coward | E♭ Major | 2 | 5B | 137 BPM | ||
| I Married the Bootlegger's Daughter | Frank Crumit | D♭ Major | 0 | 3B | 105 BPM |