On May 4, 2022, the song "Teental (Part 5) - Fast Gats And Grand Finale (With Short Spoken Intro)" was released by Alla Rakha, Zakir Hussain. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 6 in the song's album "Tabla Beats - Ustad Alla Rakha And Ustad Zakir Hussain". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. Teental (Part 5) - Fast Gats And Grand Finale (With Short Spoken Intro) is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Teental (Part 5) - Fast Gats And Grand Finale (With Short Spoken Intro) by Alla Rakha, Zakir Hussain having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Invitation Five: Part 1 (Surphakta Taal: Part 1) | Alla Rakha | D♭ Minor | 8 | 12A | 111 BPM | ||
| Saraswati Sitar | Sage Mode | D Major | 2 | 10B | 187 BPM | ||
| Between the Lines | Apoorva Krishna, Vijay Prakash, Perico Sambeat, Eve Matin, Vinod Shyam, Patrick Duke Graney | A Minor | 1 | 8A | 110 BPM | ||
| Bilak Uzuk (Bracelet) | Sirojiddin Juraev, Salar Nader | B♭ Major | 2 | 6B | 139 BPM | ||
| Raga Mand | Shahid Parvez | D♭ Major | 3 | 3B | 142 BPM | ||
| Raga Des Bhajan | G.S. Sachdev | F Major | 2 | 7B | 119 BPM | ||
| Bridge Of Sighs (with John McLaughlin) | Shakti, John McLaughlin | E Minor | 5 | 9A | 139 BPM | ||
| Commentary Live - Ustad Alla Rakha | Alla Rakha | G Major | 3 | 9B | 171 BPM | ||
| Raga Jogeshwari: Alap | Ravi Shankar, Traditional, Alla Rakha, Ms. Jiban, Ms. Widya | F♯ Major | 0 | 2B | 81 BPM | ||
| Pashto | Alla Rakha, Zakir Hussain | E Minor | 4 | 9A | 159 BPM | ||
| Raga Marwa - Drut Tintal Jhala | Kushal Das | E Major | 9 | 12B | 106 BPM | ||
| In the Temples's Antechamber | Surajit Das, Lucyan | A♭ Minor | 4 | 1A | 101 BPM | ||
| Eri Aali Piya Bin | Ajoy Chakrabarty | F♯ Major | 7 | 2B | 100 BPM | ||
| Raga kirvani : Tânam | L. Subramaniam | E Major | 2 | 12B | 87 BPM | ||
| Gathering | Shye Ben Tzur | A Minor | 8 | 8A | 108 BPM | ||
| Mishra Bhairavi | Vilayat Khan, Bismillah Khan | F♯ Minor | 5 | 11A | 150 BPM | ||
| Vaisnava Bhajan | Vishwa Mohan Bhatt, Sukhvinder Singh Namdhari | D Major | 2 | 10B | 147 BPM | ||
| Night Rain | Prem Joshua | A♭ Minor | 4 | 1A | 110 BPM | ||
| Rag Khamaj Sitar Flow | Will Marsh | D Major | 3 | 10B | 103 BPM | ||
| Shyam Kalyan | Buddhadev DasGupta | F Major | 4 | 7B | 115 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Pallavi | Ranganayaki Rajagopalan, Raja Rao | G Minor | 3 | 6A | 145 BPM | ||
| Krishnamurti | Banaras Baba & Kolkata Kid | D♭ Major | 7 | 3B | 143 BPM | ||
| Kitee Billee Dron Ko Pasand Karatee Hai | Tanpura Express | E♭ Major | 2 | 5B | 140 BPM | ||
| Raga Maluha Kalyan - Jod | Nikhil Banerjee | D Major | 6 | 10B | 103 BPM | ||
| Meditational Raga of Northern India | Alla Rakha, Vijay Raghav Rao | D♭ Major | 5 | 3B | 134 BPM |