Martin Klem's ' "Raise The Evil" was released on its scheduled release date, November 27, 2015. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Raise The Evil's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Martin Klem's "Gravitational Waves" album is number 4 out of 22. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Raise The Evil is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Raise The Evil by Martin Klem to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tomorrow In Retro | Kim Aspen | D Minor | 4 | 7A | 116 BPM | ||
| Lighter Times | Paper Planes | B Major | 4 | 1B | 110 BPM | ||
| Mountain Quail | Dust Follows | B♭ Minor | 5 | 3A | 160 BPM | ||
| Luz de Niño | Dreams Music | D Major | 2 | 10B | 92 BPM | ||
| Sleepy Forest | Yinelis Music | D Major | 3 | 10B | 172 BPM | ||
| Prime Time | Martin Klem | A Major | 6 | 11B | 118 BPM | ||
| Heart Hold On | Max Anson | G Major | 3 | 9B | 102 BPM | ||
| Water Drops | Clarence Reed | F Major | 3 | 7B | 154 BPM | ||
| Sunrise Speaks | Mid Knight | D Major | 1 | 10B | 111 BPM | ||
| Coyote Sundance | Martin Klem | A Major | 8 | 11B | 157 BPM | ||
| When Sarah Returned | Daniel Kaede | D♭ Major | 3 | 3B | 85 BPM | ||
| Empty Shorelines | Aias Conor | G Major | 2 | 9B | 119 BPM | ||
| Barelegged Owl | Martin Klem | G Major | 7 | 9B | 180 BPM | ||
| Slowly Walking towards a Dream | Staffan Carlén | C Major | 3 | 8B | 74 BPM | ||
| Lost Stories | Aias Conor | E♭ Major | 4 | 5B | 133 BPM | ||
| One Word | Martin Klem | C Major | 0 | 8B | 70 BPM | ||
| Anamnesis | Daniel Kaede | C Major | 4 | 8B | 206 BPM | ||
| Downstreams | Roots and Recognition | G Major | 7 | 9B | 136 BPM | ||
| Love You For It All - Instrumental Version | Daniel Gunnarsson | F Major | 4 | 7B | 172 BPM | ||
| Weavers | Ciaran Delany | E Major | 2 | 12B | 80 BPM | ||
| Forever And A Day | Kim Aspen | E♭ Major | 3 | 5B | 102 BPM | ||
| Comeback | Iron Ore | C Major | 1 | 8B | 115 BPM | ||
| When the Tide Comes In | Walt Adams | E♭ Major | 6 | 5B | 102 BPM | ||
| Fragmentos de paz | Nube de seda | E♭ Major | 2 | 5B | 178 BPM | ||
| Out the Back | Biddy Sullivan | G Major | 7 | 9B | 110 BPM |