Rob Kayes's 'Walk Away' had a release date set for August 17, 2018. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "The Long Shot". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Walk Away is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Walk Away by Rob Kayes having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Walter Reed | Michael Penn | B Major | 5 | 1B | 142 BPM | ||
| The Naked Rain | Waltons | D Major | 6 | 10B | 109 BPM | ||
| Come Back Down | Toad The Wet Sprocket | G Major | 3 | 9B | 134 BPM | ||
| Off the Hook | Barenaked Ladies | G Major | 7 | 9B | 131 BPM | ||
| Distant Sun | Crowded House | E♭ Major | 7 | 5B | 111 BPM | ||
| Saturated | Opshop | F♯ Major | 9 | 2B | 90 BPM | ||
| Little Victories | Darden Smith | E Major | 5 | 12B | 114 BPM | ||
| Pretty The World | Matt Nathanson | A Major | 9 | 11B | 156 BPM | ||
| Back Home (Scene 3) | Reunion Station | E Minor | 8 | 9A | 135 BPM | ||
| Walk on the Ocean | Toad The Wet Sprocket | F♯ Major | 6 | 2B | 183 BPM | ||
| I'll Be OK | McFly | D Major | 9 | 10B | 157 BPM | ||
| Better Left For Dead | Waves_On_Waves, Sonic Shades Of Blue, Waves On Waves Orange Crush | G Major | 7 | 9B | 180 BPM | ||
| The End Has Only Begun | Lifehouse | C Major | 7 | 8B | 72 BPM | ||
| Is This How Love Is Supposed To Feel? | Ben Lee | A Major | 7 | 11B | 115 BPM | ||
| Buy a Dog | Luce | F Major | 5 | 7B | 82 BPM | ||
| Sunday Morning Song | Howie Day | G Major | 5 | 9B | 80 BPM | ||
| Hurt for the Last Time | Rob Kayes | B♭ Major | 2 | 6B | 75 BPM | ||
| North Atlantic Drift | Ocean Colour Scene | G Major | 8 | 9B | 156 BPM | ||
| Architects & Engineers | Guster | B Major | 9 | 1B | 115 BPM | ||
| Rings | Toad The Wet Sprocket | F♯ Minor | 9 | 11A | 150 BPM | ||
| The Song | Tav Laxton | C Major | 3 | 8B | 115 BPM | ||
| The Days in Between | Blue Rodeo | E Major | 9 | 12B | 150 BPM | ||
| Tears & Years | The Sunday Drivers | D♭ Major | 7 | 3B | 126 BPM | ||
| I Wouldn’t Like You | Tim Minchin | B♭ Major | 3 | 6B | 144 BPM | ||
| Some Fantastic | Barenaked Ladies, David Leonard | B♭ Major | 8 | 6B | 163 BPM |