Fuk'd In The Ass - Colin Barratt Remix
Ben Kaye, Neil Appeal
The Very Best of Nuklearpuppy Records
7:35 September 30, 2013
BPM
144
Key
D♭ Major
Camelot
3B

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Fuk'd In The Ass - Colin Barratt Remix by Ben Kaye, Neil Appeal Song Details

Ben Kaye, Neil Appeal's 'Fuk'd In The Ass - Colin Barratt Remix' had a release date set for September 30, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "The Very Best of Nuklearpuppy Records". In this album, this song's track order is #8. Based on our statistics, Fuk'd In The Ass - Colin Barratt Remix's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

With Fuk'd In The Ass - Colin Barratt Remix by Ben Kaye, Neil Appeal having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Music Key

D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-9.029 dB
Acousticness
0%
Danceability
62%
Energy
99%
Instrumentalness
88%
Liveness
75%
Loudness
85%
Speechiness
7%
Valence
28%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records