Andrew Bird, Alan Hampton, Ted Poor's 'Ballon de peut-être' had a release date set for May 24, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Sunday Morning Put-On". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, Ballon de peut-être's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ballon de peut-être by Andrew Bird, Alan Hampton, Ted Poor having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Big Clock | Ezra Feinberg, David Moore, Britt Hewitt | C Major | 6 | 8B | 128 BPM | ||
| Fourth Wall | The Messthetics, James Brandon Lewis | G Major | 7 | 9B | 168 BPM | ||
| Flowers For Sharon | Parlor Greens | B♭ Major | 4 | 6B | 112 BPM | ||
| Mare Imbrium | Beirut | F Major | 2 | 7B | 51 BPM | ||
| 7th Symphony Elegy | Jon Batiste | A Minor | 2 | 8A | 78 BPM | ||
| Love Changes Everything III | Dirty Three | D Major | 4 | 10B | 92 BPM | ||
| Havens | Julian Lage, John Medeski, Jorge Roeder, Kenny Wollesen | A♭ Minor | 4 | 1A | 143 BPM | ||
| The Wuz | Laurie Anderson, Marshall Allen, Kronos Quartet | B♭ Major | 8 | 6B | 87 BPM | ||
| Triangles in the Sky | Matthew Halsall | F♯ Major | 4 | 2B | 100 BPM | ||
| Coquina | Green-House | E♭ Major | 1 | 5B | 83 BPM | ||
| Bitterroot Valley Suite I: Water | Jim White, Marisa Anderson | G Major | 4 | 9B | 95 BPM | ||
| Cécile | Edouard Ferlet | C Major | 3 | 8B | 180 BPM | ||
| Postlude - After Seven Winters | Tigran Hamasyan | C Major | 5 | 8B | 120 BPM | ||
| Ascending Ghosts - instrumental remix | Go By Ocean, Ryan McCaffrey, Michael Nau | D Major | 6 | 10B | 91 BPM | ||
| Süddeutsches Ton-Bild-Studio | Beirut | F Major | 6 | 7B | 122 BPM | ||
| Koortjie | Ballaké Sissoko, Derek Gripper | G Minor | 2 | 6A | 110 BPM | ||
| MoonDial - epilogue | Pat Metheny | A Minor | 0 | 8A | 76 BPM | ||
| Gloaming Way | Circles Around The Sun, Mikaela Davis | G Major | 7 | 9B | 95 BPM | ||
| Sugarcane | Mali Obomsawin | A Major | 2 | 11B | 105 BPM | ||
| Hadal Zone | Allah-Las | C Major | 2 | 8B | 95 BPM | ||
| The Top of Thomas Street | Mary Lattimore, Walt McClements | G Major | 3 | 9B | 89 BPM | ||
| Hayley | Cassandra Jenkins | F♯ Minor | 2 | 11A | 134 BPM | ||
| Quince | Josh Johnson | C Minor | 4 | 5A | 166 BPM | ||
| Mormon House Party | Andrew Bird | F Major | 3 | 7B | 116 BPM | ||
| Ada Jean | Khruangbin | F♯ Minor | 6 | 11A | 173 BPM |