Bernstein - I hate music!: Jupiter has seven moons by Leonard Bernstein, Barbara Bonney, Malcolm Martineau Song Details

"Bernstein - I hate music!: Jupiter has seven moons" by Leonard Bernstein, Barbara Bonney, Malcolm Martineau had its release date on June 1, 2005. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Barbara Bonney's "My Name Is Barbara" album is number 21 out of 28. Based on our statistics, Bernstein - I hate music!: Jupiter has seven moons's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

We consider the tempo marking of Bernstein - I hate music!: Jupiter has seven moons by Leonard Bernstein, Barbara Bonney, Malcolm Martineau to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 1/4.

Music Key

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -17.7 dB
Acousticness: 98%
Danceability: 43%
Energy: 11%
Instrumentalness: 0%
Liveness: 13%
Loudness: 70%
Speechiness: 6%
Valence: 11%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso	Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko	E Major	3	12B	141 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	E♭ Major	1	5B	87 BPM
Song to the moon	Antonín Dvořák, Ophélie Gaillard, Tim Redmond, Royal Philharmonic Orchestra	B♭ Major	2	6B	79 BPM
Tristan und Isolde, Act I: Prelude	Richard Wagner, Staatskapelle Dresden, Carlos Kleiber	A Major	1	11B	82 BPM
Pictures At An Exhibition: Promenade I	Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini	F Major	1	7B	79 BPM
West Side Story Symphonic Dances: IV. Mambo - Live	Leonard Bernstein, Los Angeles Philharmonic	C Major	1	8B	117 BPM
Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo)	Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado	A Major	1	11B	84 BPM
Scheherazade, Op. 35: The Sea And Sinbad's Ship (Largo e maestoso - Lento - Allegro non troppo - Tranquillo)	Nikolai Rimsky-Korsakov, Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa	C Major	1	8B	79 BPM
Vocalise, Op. 34, No. 14	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	E Minor	1	9A	76 BPM
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria	Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin	B♭ Major	0	6B	78 BPM
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour"	Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge	D Major	1	10B	82 BPM
Rodeo: V. Hoe Down	Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin	D Major	2	10B	119 BPM
West Side Story: Act I: Prologue	Leonard Bernstein, West Side Story Orchestra, Johnny Green	F Major	5	7B	135 BPM
Firebird Suite - 1919 Version	Chicago Symphony Orchestra	B Major	1	1B	80 BPM
Symphony No. 5: IV. Adagietto. Sehr langsam	Gustav Mahler, Wiener Philharmoniker, Pierre Boulez	F Major	0	7B	87 BPM
Jazz Suite No. 2: III. Dance 1	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	A Major	3	11B	153 BPM
Chaminade: Flute Concertino, Op. 107	Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris	D Major	1	10B	83 BPM
Symphonie espagnole, Op. 21: I. Allegro non troppo	Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	D Minor	1	7A	75 BPM
Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen - Live	Gustav Mahler, Berliner Philharmoniker, Claudio Abbado	G Minor	0	6A	56 BPM
Peter and the Wolf, Op. 67: The Bird	Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard	C Major	0	8B	99 BPM
Night on Bald Mountain	Modest Mussorgsky, Leonard Bernstein, New York Philharmonic	D Major	2	10B	105 BPM
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato	Felix Mendelssohn, Bernard Haitink	E Minor	2	9A	96 BPM
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo	Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa	G Minor	2	6A	123 BPM
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto	Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko	D Major	2	10B	105 BPM
The Moldau	Bedřich Smetana, Ferenc Fricsay, Berliner Philharmoniker	E Minor	3	9A	86 BPM