On November 22, 2011, the song "Chelsea Bridge" was released by John Beasley, Dwight Trible. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 8 in Duality by John Beasley, Dwight Trible. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Chelsea Bridge is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Chelsea Bridge by John Beasley, Dwight Trible is Presto (very, very fast), since this song has a tempo of 200 BPM. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Seven Layers | John Beasley, Robert Hurst, Vinnie Colaiuta | F Major | 3 | 7B | 96 BPM | ||
| Seven Angels of Vengeance | James Horner, Simon Franglen, James Horner, Simon Franglen | D Major | 3 | 10B | 182 BPM | ||
| Essex Leaving Harbor | Roque Baños | A♭ Major | 6 | 4B | 118 BPM | ||
| Will You Still Love Me Tomorrow (feat. Chris Potter, Marvin “Smitty” Smith, Alex Acuña & John Beasley) | Andy James, John Patitucci, Chris Potter, Marvin Smitty Smith, Alex Acuña, John Beasley | D♭ Minor | 6 | 12A | 120 BPM | ||
| Some Other Time (feat. Vinnie Colaiuta, John Beasley, Rick Margitza, Alex Acuña & Jon Cowherd) | Andy James, John Patitucci, Vinnie Colaiuta, John Beasley, Rick Margitza, Alex Acuña, Jon Cowherd | F Major | 3 | 7B | 112 BPM | ||
| Confirmation | Magnus Lindgren, John Beasley, The SWR Big Band, Axel Kühn, Marc Godfroid | B♭ Minor | 4 | 3A | 91 BPM | ||
| Bloody Christmas - From "L.A. Confidential" | Jerry Goldsmith | D♭ Major | 3 | 3B | 98 BPM | ||
| Baubles, Bangles and Beads | Sofia Hoffmann, John Beasley, Arjun K. Verma | D Major | 7 | 10B | 106 BPM | ||
| Hovercraft Chase | Die Another Day Soundtrack | E Major | 9 | 12B | 142 BPM | ||
| Reprise / Fly Away | John Ottman | E Minor | 3 | 9A | 64 BPM | ||
| Mr. Chambers | John Lunn | F Major | 3 | 7B | 78 BPM | ||
| The Night Manager Main Titles | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| The Streak | Mychael Danna | C Major | 1 | 8B | 131 BPM | ||
| Beginnings | Debbie Wiseman | D Major | 1 | 10B | 129 BPM | ||
| Personal Legend | John Beasley, Robert Hurst, Vinnie Colaiuta | G Major | 8 | 9B | 125 BPM | ||
| Parade Music - Bonus Track | Nicholas Britell | D Minor | 3 | 7A | 140 BPM | ||
| Stealing The Stock (Intro) Le renard de nuit | David Holmes | D Major | 5 | 10B | 85 BPM | ||
| Alicia Discovers Nash's Dark World | James Horner | D♭ Major | 1 | 3B | 115 BPM | ||
| Eliza's Theme | John Debney | D♭ Major | 2 | 3B | 160 BPM | ||
| Shifting Dunes | Magnus Lindgren, John Beasley | A Minor | 0 | 8A | 95 BPM | ||
| Con Un Toque De Cueca | Moraga South American Jazz, Bob Mintzer, John Beasley | D♭ Major | 5 | 3B | 120 BPM | ||
| The Eight Winds | John Beasley, Bennie Maupin, Jeff "Tain" Watts, James Genus, Brian Lynch | D Major | 5 | 10B | 97 BPM | ||
| The Martian Score Suite (The Martian) | Harry Gregor-Williams, Danish National Symphony Orchestra, Antony Hermus | G Major | 2 | 9B | 112 BPM | ||
| We Share The Same Passions (Part I: The Trip To Cuba/Part II: The Same Passions) | Éric Serra | B Major | 2 | 1B | 175 BPM | ||
| Ask Me Now | John Beasley | E♭ Minor | 2 | 2A | 181 BPM |