Ethan Iverson, Reid Anderson, Jorge Rossy's ' "Have You Met Miss Jones?" was released on its scheduled release date, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 7 in Deconstruction Zone (Standards) by Ethan Iverson. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Have You Met Miss Jones? is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Have You Met Miss Jones? by Ethan Iverson, Reid Anderson, Jorge Rossy is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pai Lan | Daniel García Trio, Anat Cohen | C Minor | 2 | 5A | 125 BPM | ||
| Kad Katan | Itamar Erez, Itamar Erez Trio | B Minor | 4 | 10A | 93 BPM | ||
| BAG | Bugge Wesseltoft, Arild Andersen, Gard Nilssen | B Minor | 4 | 10A | 91 BPM | ||
| Chelsea Morning | Sara Colman | D♭ Major | 4 | 3B | 125 BPM | ||
| Bando | Pablo Aslan, Ethan Iverson, Thomas Chapin | A Minor | 3 | 8A | 125 BPM | ||
| La Tranquilidad | Gustav Lundgren Quartet, Gustav Lundgren, Britta Virves, Karl-Henrik Ousbäck, Par-Ola Landin | E Minor | 3 | 9A | 97 BPM | ||
| Sipping On The Solid Ground | Esbjörn Svensson Trio | D♭ Major | 1 | 3B | 108 BPM | ||
| Krystall Revisited | Helge Lien Trio | D♭ Major | 3 | 3B | 92 BPM | ||
| School Work | Dewey Redman, Ethan Iverson | A Minor | 2 | 8A | 92 BPM | ||
| There Is Music Where You're Going My Friends | Gerald Clayton | F♯ Major | 0 | 2B | 131 BPM | ||
| She Won't Forget Me | Ethan Iverson, Jack DeJohnette, Larry Grenadier | C Minor | 3 | 5A | 100 BPM | ||
| You Must Believe In Spring | Martin Speake, Ethan Iverson | F Major | 0 | 7B | 101 BPM | ||
| How Deep Is Your Love | Charles Daisey & Friends | A♭ Major | 2 | 4B | 77 BPM | ||
| Nominally Challenged | Kate Olson | E♭ Major | 1 | 5B | 81 BPM | ||
| Spring Dance | Martin Speake, Ethan Iverson, Fred Thomas, James Maddren | C Major | 3 | 8B | 83 BPM | ||
| I Got It Bad | Dewey Redman, Ethan Iverson | B♭ Minor | 0 | 3A | 65 BPM | ||
| After Van Gogh | Rémi Panossian Trio, Maxime Delporte, Frédéric Petitprez | B Minor | 1 | 10A | 110 BPM | ||
| Midnight Waves | Joey Alexander | B♭ Major | 1 | 6B | 105 BPM | ||
| Kingdom of Coldness | Bobo Stenson Trio | G Major | 1 | 9B | 140 BPM | ||
| Optimistic | Max Haymer | G Major | 5 | 9B | 92 BPM | ||
| Dérives | Trio Viret, Jean-Philippe Viret, Edouard Ferlet, Antoine Banville, Fabrice Moreau | E Minor | 8 | 9A | 113 BPM | ||
| My Isla Bonita | Carlos Henriquez | F Major | 1 | 7B | 79 BPM | ||
| Gamma | Esbjörn Svensson | D Major | 1 | 10B | 72 BPM | ||
| Ode To Bach | Tia Fuller, Shamie Royston, Fuller Sound | E♭ Major | 1 | 5B | 81 BPM | ||
| Undercurrent | John McNeil, Mike Fahie, Ethan Iverson | F Major | 2 | 7B | 134 BPM |