"Water ! Water !-An Intermission With Prologues: We Really Love Each Other: In 43 Whines To The Octave" by Harry Partch, Harry Partch Ensemble, Gate 5 Ensemble, John Garvey had its release date on January 1, 2005. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "The Harry Partch Collection, Volume 3". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. The popularity of Water ! Water !-An Intermission With Prologues: We Really Love Each Other: In 43 Whines To The Octave is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Water ! Water !-An Intermission With Prologues: We Really Love Each Other: In 43 Whines To The Octave by Harry Partch, Harry Partch Ensemble, Gate 5 Ensemble, John Garvey having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Travellers 1, 2, 3 | Meredith Monk | F Major | 1 | 7B | 131 BPM | ||
| Einstein on the Beach: Knee Play 2 | Philip Glass, Michael Riesman | C Major | 3 | 8B | 115 BPM | ||
| Compositions 1960: Piano Piece for Terry Riley - Arr. for Guitar | La Monte Young, Noël Akchoté | C Major | 5 | 8B | 75 BPM | ||
| 1ere Suite: Allemande | Johann Julius Sontag von Holt Sombach, Thomas Bloch | D Minor | 0 | 7A | 70 BPM | ||
| Finalité | Mark Dresser, Fred Frith, Gerry Hemingway, Phil Minton, John Oswald, Bob Ostertag, John Zorn | D Major | 3 | 10B | 99 BPM | ||
| Even Wild Horses. Dance Music for an Absent Drama, Act I, Scene I: A Decent and Honorable Mistake (Samba) | Harry Partch, Gate 5 Ensemble, Horace Schwartz | D♭ Major | 5 | 3B | 108 BPM | ||
| Tarot Will Teach You/Burn Your Money | Alejandro Jodorowsky | C Major | 1 | 8B | 122 BPM | ||
| Tenemos | fdgdf | B Major | 10 | 1B | 140 BPM | ||
| mad vizier's invocation | John Sweeney | F Major | 2 | 7B | 85 BPM | ||
| Clear Communication | Amber Dawn Hilton | E♭ Major | 5 | 5B | 107 BPM | ||
| 2 Studies on Ancient Greek Scales (Arr. J. Schneider for Guitar & Harp): No. 2, Archytas' Enharmonic | Harry Partch, Just Strings | C Major | 1 | 8B | 79 BPM | ||
| Cambio de papeles. | mark | A♭ Minor | 3 | 1A | 180 BPM | ||
| Huaylash de Amor | Los Andes del Ritmo | G Major | 5 | 9B | 84 BPM | ||
| Words I First Saw | Valentina Magaletti | C Major | 2 | 8B | 113 BPM | ||
| GETOUT MEN 026 | Taram Tula | D♭ Major | 5 | 3B | 76 BPM | ||
| Revelations in the Courthouse Park, Scene 1, Hymn to Dionysus: Holy Joy and Get Religion | Harry Partch, Coryl Crandall, Joel Klein, Jeffrey Foote, Freda Pierce, John Bert, Elizabeth Hiller, Gate 5 Ensemble, John Garvey | B♭ Major | 2 | 6B | 121 BPM | ||
| Control 3 | Conrad Schnitzler | F♯ Minor | 6 | 11A | 54 BPM | ||
| Caravan | Pierre Bastien | D Minor | 3 | 7A | 79 BPM | ||
| Viva Shona | Jon Hassell | A Minor | 4 | 8A | 128 BPM | ||
| What Do You Know About Music, You're Not A Lawyer | John Lurie | B♭ Major | 2 | 6B | 129 BPM | ||
| Mio Jeone | Thelma | F♯ Minor | 6 | 11A | 54 BPM | ||
| Eleven Instrusions IV: The Crane | Harry Partch, Ben Johnston, Donald Pippin, Bill Snead, Betty Johnston | D Minor | 0 | 7A | 50 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Nopal | Øxömøntzöxø | D♭ Major | 1 | 3B | 179 BPM | ||
| Autopilot | JJ Sabado | A Major | 1 | 11B | 134 BPM |