- BPM
- 71
- Key
- G Minor
- Camelot
- 6A
Bye, Bye Toots: Bye, Bye Toots by Paul Alan Levi, Counterpoint, Robert de Cormier Song Details
"Bye, Bye Toots: Bye, Bye Toots" by Paul Alan Levi, Counterpoint, Robert de Cormier had its release date on December 1, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 24 in Counterpoint Premieres by Counterpoint, Robert de Cormier. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Bye, Bye Toots: Bye, Bye Toots is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Bye, Bye Toots: Bye, Bye Toots by Paul Alan Levi, Counterpoint, Robert de Cormier is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -21.56 dB
- Acousticness
- 98%
- Danceability
- 38%
- Energy
- 3%
- Instrumentalness
- 0%
- Liveness
- 7%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 15%
Recommendations
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|---|---|---|---|---|---|---|---|
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 | Les Indes galantes, Quatrième entrée: Danse des sauvages, dans le goût du concerto | Jean-Philippe Rameau, Yves Rechsteiner, Henri-Charles Caget, Vincent Bernhardt | F Minor | 2 | 4A | 77 BPM | |
 | Room | nnnoah | A Minor | 0 | 8A | 130 BPM | |
 | The Planets, Op. 32: V. Saturn, the Bringer of Old Age | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | C Major | 0 | 8B | 67 BPM | |
 | Bye, Bye Toots: Muir Woods Cantata | Paul Alan Levi, Counterpoint, Robert de Cormier | C Major | 0 | 8B | 85 BPM | |
 | 24 Caprices Op. 1: No. 24 in A Minor | Niccolò Paganini, Sergei Nakariakov | F Major | 0 | 7B | 66 BPM | |
 | SUERTE VI | El rey de los cielos | B♭ Major | 0 | 6B | 176 BPM | |
 | Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | |
 | El Amor brujo: Quadre Primer: Romance del pescador | Manuel de Falla, Ginesa Ortega, Orquestra De Cambra Teatre Lliure, Josep Pons | D Minor | 0 | 7A | 84 BPM | |
 | The Conversion of Saul | Z. Randall Stroope, Santa Fe Desert Chorale, Linda Mack | D♭ Major | 1 | 3B | 131 BPM | |
 | Serenade for Tenor, Horn and Strings, Op. 31: II. Pastoral | Benjamin Britten, Aldeburgh Strings, Markus Däunert, Richard Watkins, Allan Clayton | E♭ Minor | 0 | 2A | 130 BPM | |
 | Look Down, O Lord | Jonathan Seers, The Gesualdo Six, Owain Park | A♭ Minor | 1 | 1A | 86 BPM | |
 | Songs of Travel: In Dreams | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | D♭ Major | 1 | 3B | 66 BPM | |
 | 2 Sacred Songs: No. 2, Ave Maria | Valentin Silvestrov, Agate Burkina, Rūdolfs Bērtiņš, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 69 BPM | |
 | King David (Arr. Farrington for Mixed Choir & Piano) | Herbert Howells, IKON, David Hill, Iain Farrington | G Major | 1 | 9B | 128 BPM | |
 | Intermezzo | Fredrik Sjölin, Danish String Quartet | B Minor | 0 | 10A | 139 BPM | |
 | Yiddish Dances: III. Doina. Meno mosso, rubato | Adam Gorb, Royal Northern College Of Music Wind Orchestra, Clark Rundell | D Major | 0 | 10B | 113 BPM | |
 | The Dream of Gerontius, Op. 38, Part I: No. 10, Proficiscere, anima Christiana (The Priest) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, James Platt | D Major | 2 | 10B | 86 BPM | |
 | Respighi: Trittico botticelliano, P. 151: I. La Primavera | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 137 BPM | |
 | Fratres (Version for Wind Octet & Percussion) | Arvo Pärt, Joris Van Den Hauwe, Jan Maebe, Geert Baeckelandt, Lydia Rossignol, Francis Pollet, Bart Snauwaert, Martin Van Der Merwe, Jos Buurman, Huub Righarts | A♭ Major | 2 | 4B | 78 BPM | |
 | Ligeti: Requiem: IV. Lacrimosa. Molto lento | György Ligeti, Jonathan Nott, Caroline Stein, London Voices, Margriet van Reisen, Berliner Philharmoniker | D♭ Major | 0 | 3B | 147 BPM | |
 | Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: I | Morton Feldman, Ensemble Recherche | C Major | 0 | 8B | 72 BPM | |
 | Sono Arrivate le Streghe | Marina Frescobaldi | D♭ Major | 2 | 3B | 35 BPM | |
 | Breathturn, Pt. 1 | John Zorn, Mika Stoltzman, Richard Stoltzman, Fred Sherry | F Major | 0 | 7B | 63 BPM |
- ISRC
- USAB10910145
- Label
- L-M Records/RCA Records