"Winterlandschaft (Version for Harp & Piano)" by Carl Rütti, Duo Praxedis, Hug-Rütti Praxedis, Geneviève Hug Praxedis had its release date on August 9, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Rütti: Works for Harp & Piano". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. In terms of popularity, Winterlandschaft (Version for Harp & Piano) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Winterlandschaft (Version for Harp & Piano) by Carl Rütti, Duo Praxedis, Hug-Rütti Praxedis, Geneviève Hug Praxedis having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Som hjorten törstar | Sven-Erik Bäck, Swedish Chamber Choir, Simon Phipps | D Major | 2 | 10B | 87 BPM | ||
| Mass of the Transfiguration: III. Gospel Acclamation | Normand Gouin, David L. Ball, Diocesan Choir, Diocesan Children's Choir, Cathedral English Choir, Cathedral Schola, Cathedral Spanish Choir, Cathedral Vietnamese Choir, John A. Romeri | A Minor | 2 | 8A | 64 BPM | ||
| Canticle of Zachariah | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | G Minor | 1 | 6A | 94 BPM | ||
| I Love, Alas, I Love Thee | Thomas Morley, Apollo5 | G Major | 2 | 9B | 107 BPM | ||
| Messe solennelle, Op. 16: I. Kyrie | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | D♭ Minor | 1 | 12A | 73 BPM | ||
| Requiem, Op. 9: Lux aeterna | Maurice Duruflé, Ivan Repušić, Bavarian Radio Chorus, Munich Radio Orchestra | B♭ Major | 0 | 6B | 67 BPM | ||
| Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
| Une vierge féconde | Anonyme, Maitrise Notre-Dame De Paris, Lionel Sow, Yves Castagnet | A Minor | 1 | 8A | 77 BPM | ||
| The Mass: Osanna I | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| He carried me away in the spirit | James Whitbourn, Commotio, Matthew Berry | D♭ Minor | 0 | 12A | 70 BPM | ||
| Die Verlobten | Carl Rütti, Cambridge Voices And Instrumental Ensemble, Ian Moore | F Major | 1 | 7B | 101 BPM | ||
| Three Latin Motets: II. Ave, Maria | Cecilia McDowall, Phoenix Chorale, Charles Bruffy | B Major | 1 | 1B | 131 BPM | ||
| O Love - String Ensemble Version | Elaine Hagenberg, Dan Forrest, Craig Courtney, Beckenhorst Singers, Beckenhorst Orchestra | D Major | 2 | 10B | 134 BPM | ||
| Stainer: God so loved the world | The Chapel Choir of University College, Hurham, Oliver Bond | D Major | 1 | 10B | 75 BPM | ||
| Quatre Motets sur des thèmes grégoriens pour choeur a cappella, Op.10: I. Ubi caritas | Maurice Duruflé, Mauruce Duruflé, Houston Chamber Choir, Robert Simpson | E♭ Major | 1 | 5B | 88 BPM | ||
| Surge, Propera Amica Mea | Raffaella Aleotti, The Mancunium Consort | A Minor | 3 | 8A | 79 BPM | ||
| O Lord, Be Gracious Unto Us | Drew Roth, Cantate Domino, Seth Bergey | D♭ Major | 1 | 3B | 134 BPM | ||
| Sacri musicali affetti, Op. 5: O Maria | Barbara Strozzi, Franck Marcon, Alice Duport-Percier | C Major | 1 | 8B | 175 BPM | ||
| Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
| Heyr þu oss himnum à | Anna Thorvaldsdottir, The King's Singers | D Major | 2 | 10B | 134 BPM | ||
| Mass of the Americas: VI. Agnus Dei | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Pieśń o Najświętszej Pannie | Urszula Rogala, Dominikański Ośrodek Liturgiczny, Dorota Dąbrowska | F Major | 2 | 7B | 169 BPM | ||
| When I Was in Trouble, I Called upon the Lord (Psalm 120) | William Sterndale Bennett, Gloriae Dei Cantores, Elizabeth C. Patterson | A♭ Minor | 1 | 1A | 81 BPM | ||
| Beatitudes | Jocelyn Hagen, Timothy C. Takach, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith | D Major | 0 | 10B | 85 BPM | ||
| Lord, May Your Word Be Dear to Me SHZ 244 | Laestadian Lutheran Church, Liisa Keranen, Viena Kontkanen | B♭ Major | 0 | 6B | 129 BPM |