Horse The Band, Ed Edge's ' "Big Business (feat. Ed Edge)" was released on its scheduled release date, October 30, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 12 in Desperate Living by Horse The Band. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Big Business (feat. Ed Edge) is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Big Business (feat. Ed Edge) by Horse The Band, Ed Edge is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Radio Cambodia | Glassjaw | A♭ Minor | 10 | 1A | 96 BPM | ||
| I Go Where I'm Kicked | Heavy Heavy Low Low | B♭ Major | 10 | 6B | 130 BPM | ||
| The Shit Sisters | These Arms Are Snakes | A Minor | 9 | 8A | 188 BPM | ||
| The Rising End (The First Prophecy) | Zao | G Major | 8 | 9B | 124 BPM | ||
| Red Line Season | These Arms Are Snakes | B Minor | 10 | 10A | 144 BPM | ||
| The Ghost With The Most | Daughters | D♭ Minor | 10 | 12A | 154 BPM | ||
| Milk Lizard | The Dillinger Escape Plan | B Minor | 10 | 10A | 172 BPM | ||
| Face Of Bear | Horse The Band | G Major | 10 | 9B | 126 BPM | ||
| Kill the Switch | Circle Takes the Square | C Major | 9 | 8B | 140 BPM | ||
| Ex-Creations | The Fall of Troy | D Major | 10 | 10B | 92 BPM | ||
| 43% Burnt | The Dillinger Escape Plan | A Minor | 9 | 8A | 139 BPM | ||
| Understudy | Monomate | B♭ Minor | 6 | 3A | 119 BPM | ||
| Devils | The Jonbenét | E♭ Major | 10 | 5B | 161 BPM | ||
| Crossing The Rubicon | The Human Abstract | D Minor | 10 | 7A | 175 BPM | ||
| Back To Back | The Chariot | B Minor | 10 | 10A | 171 BPM | ||
| Mushroom River | He Is Legend | F Major | 10 | 7B | 150 BPM | ||
| Soaring Quails | Horse The Band | B♭ Major | 10 | 6B | 118 BPM | ||
| There's a Bat | Heavy Heavy Low Low | D Major | 9 | 10B | 115 BPM | ||
| Empty Shell | Into The Moat | D♭ Major | 9 | 3B | 124 BPM | ||
| You Think You're (John Fucking Lennon) | Glassjaw | F♯ Minor | 10 | 11A | 176 BPM | ||
| Ira Vehementi | Monomate | B♭ Minor | 8 | 3A | 148 BPM | ||
| End Me in Richmond | Planes Mistaken For Stars | G Major | 10 | 9B | 98 BPM | ||
| Saint Matthew Returns to the Womb | Botch | G Major | 10 | 9B | 159 BPM | ||
| How To Disconnect From Your Social Surrounding In Half An Hour | War From A Harlots Mouth | C Major | 10 | 8B | 122 BPM | ||
| How London Got Its Fog | From A Second Story Window | B Minor | 9 | 10A | 88 BPM |