Ray Pillow's ' "If Every Man Had A Woman Like You" was released on its scheduled release date, January 1, 1968. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. If Every Man Had A Woman Like You's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wonderful Day by Ray Pillow. The song's track number on the album is #8 out of 9 tracks. If Every Man Had A Woman Like You is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since If Every Man Had A Woman Like You by Ray Pillow has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With If Every Man Had A Woman Like You being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Excuse Me (I Think I've Got a Heartache) | Ray Pillow | F Major | 4 | 7B | 77 BPM | ||
| Teen-Ex | The Browns | B♭ Major | 2 | 6B | 106 BPM | ||
| From a Jack to a King | David Houston | G Major | 4 | 9B | 92 BPM | ||
| Bottom Of The Bottle | Ira Louvin | A Major | 4 | 11B | 92 BPM | ||
| Julie Loved Boston More Than Me | Ray Pillow | F Major | 3 | 7B | 78 BPM | ||
| Old Standby | Dick Curless, Kay Adams | C Major | 4 | 8B | 171 BPM | ||
| Spanish Two-Step | Bob Wills & Tommy Duncan with The Texas Playboys | A Major | 4 | 11B | 115 BPM | ||
| Talk Back Trembling Lips | Ernest Ashworth | A Major | 5 | 11B | 136 BPM | ||
| If I Were You I'd Fall In Love With Me | Gene Watson | B Major | 4 | 1B | 76 BPM | ||
| I'll Sail My Ship Alone | Sons of the Pioneers | D Major | 5 | 10B | 94 BPM | ||
| Hello, I'm a Jukebox | George Kent, Diana Duke | A Major | 4 | 11B | 110 BPM | ||
| Pitty, Pitty, Patter | Susan Raye | F Major | 5 | 7B | 107 BPM | ||
| I've Got to Get Peter Off Your Mind | Vernon Oxford | D Major | 4 | 10B | 127 BPM | ||
| Motorcycle Bill - Original Gusto Recordings | Willis Brothers | D Major | 5 | 10B | 134 BPM | ||
| Forbidden Angel | MEL STREET | F♯ Major | 5 | 2B | 93 BPM | ||
| Close All the Honky Tonks | Charlie Walker | A Major | 4 | 11B | 163 BPM | ||
| Looking At The World Through A Windshield | Del Reeves | A Major | 6 | 11B | 112 BPM | ||
| They Left Me Holding the Bottle | Ray Pillow | B Major | 3 | 1B | 121 BPM | ||
| I Can't Seem To Say Goodbye | Hawkshaw Hawkins | D Major | 2 | 10B | 86 BPM | ||
| If No News Is Good News | Bob Wills, Leon Rausch, Jim Belken, Johnnie Manson | C Major | 5 | 8B | 129 BPM | ||
| Twenty Miles From Shore | Hawkshaw Hawkins | E Major | 5 | 12B | 91 BPM | ||
| There's Something About a Lady | Johnny Duncan | F Major | 4 | 7B | 117 BPM | ||
| Many Happy Hangovers to You | Jean Sheppard | D Major | 3 | 10B | 137 BPM | ||
| Couples Only | Wynn Stewart | G Major | 4 | 9B | 64 BPM | ||
| Detour | Spade Cooley | C Major | 6 | 8B | 206 BPM |