Sarah Vaughan's ' "Nothing Will Be as It Was - Vocal" was released on its scheduled release date, 1987. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 10 in Brazilian Romance by Sarah Vaughan. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Nothing Will Be as It Was - Vocal's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Nothing Will Be as It Was - Vocal by Sarah Vaughan is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stormy Weather | Billie Holiday | B♭ Major | 1 | 6B | 123 BPM | ||
| Softly As In A Morning Sunrise | Lorez Alexandria | F Minor | 1 | 4A | 148 BPM | ||
| How Deep Is The Ocean | Catherine Russell | F Minor | 3 | 4A | 105 BPM | ||
| I Only Have Eyes For You | Carmen McRae | F Major | 1 | 7B | 119 BPM | ||
| Since I Fell For You - Rudy Van Gelder Edition / 2007 / Digital Remaster | Lee Morgan | A♭ Major | 2 | 4B | 166 BPM | ||
| Manhattan | Blossom Dearie | A♭ Major | 0 | 4B | 103 BPM | ||
| My Funny Valentine | Ben Webster, Teddy Wilson | E♭ Major | 1 | 5B | 73 BPM | ||
| Angel Eyes | Anita O'Day | E♭ Major | 1 | 5B | 95 BPM | ||
| All Of Me | Sarah Vaughan | E Minor | 2 | 9A | 128 BPM | ||
| Soul Eyes | John Coltrane Quartet | F Minor | 3 | 4A | 78 BPM | ||
| Charade | Johnny Hartman | B Minor | 2 | 10A | 87 BPM | ||
| Can't Help Lovin' That Man | Julie London | F♯ Major | 0 | 2B | 83 BPM | ||
| Almost Like Being In Love | Lorez Alexandria | A♭ Major | 2 | 4B | 83 BPM | ||
| Mad About the Boy | Ernestine Anderson | F Minor | 2 | 4A | 61 BPM | ||
| Naima | John Coltrane | B♭ Minor | 0 | 3A | 171 BPM | ||
| Gone With the Wind | Betty Carter, Ray Bryant | F Major | 1 | 7B | 114 BPM | ||
| Mean to Me | Sarah Vaughan | D♭ Major | 1 | 3B | 124 BPM | ||
| The Nearness Of You | George Shearing Quintet, Nancy Wilson | E♭ Minor | 0 | 2A | 111 BPM | ||
| It's Bad For Me | Jeri Southern | E♭ Major | 3 | 5B | 123 BPM | ||
| It Had to Be You | Jo Stafford | D♭ Major | 1 | 3B | 120 BPM | ||
| I Only Have Eyes For You | Catherine Russell | F♯ Major | 2 | 2B | 89 BPM | ||
| My Funny Valentine | Shirley Horn | B♭ Minor | 0 | 3A | 136 BPM | ||
| Almost Like Being In Love | Red Garland, Paul Chambers, Art Taylor | C Minor | 3 | 5A | 94 BPM | ||
| When I Fall In Love | Miles Davis Quintet | F Major | 1 | 7B | 66 BPM | ||
| Confession / The Other Woman | Veronica Swift | G Minor | 1 | 6A | 78 BPM |