Jim Rattigan's ' "Greensleeves" was released on its scheduled release date, October 24, 1997. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 32 in the song's album "The Harp Album". In this album, this song's track order is #28. In terms of popularity, Greensleeves is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Greensleeves by Jim Rattigan having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liebish | Matthew McDonald | D♭ Major | 6 | 3B | 138 BPM | ||
| In a Mellow Tone | Peter Martin | D♭ Major | 2 | 3B | 120 BPM | ||
| When Jazz Glows | Rowan Blackstone | F♯ Major | 0 | 2B | 70 BPM | ||
| Half-Remembered Lullabies | Sherbourne Rivers | F Minor | 4 | 4A | 114 BPM | ||
| Luxurious Lunches | Teres | A♭ Major | 2 | 4B | 112 BPM | ||
| Glorious | Orión Natera | A♭ Major | 3 | 4B | 100 BPM | ||
| The New Creature | Olepash | F Minor | 2 | 4A | 93 BPM | ||
| Metaphysics | Tim Richards Trio | F♯ Major | 0 | 2B | 70 BPM | ||
| Lonely Woman | Frank Fiedler | B Minor | 0 | 10A | 114 BPM | ||
| Double Blues | Giulio Granati, Antonio Cervellino, Francesco D'Auria | F Major | 2 | 7B | 133 BPM | ||
| The Best Thing For You | Peter Beets, Rodney Whitaker, Willie Jones III | C Major | 5 | 8B | 122 BPM | ||
| Innovation | Elian Tumbao | C Major | 4 | 8B | 107 BPM | ||
| Upper Manhattan Medical Group | Jim Rattigan, Hans Koller, Dave Whitford, Gene Calderazzo | A Major | 4 | 11B | 141 BPM | ||
| Colour After Midnight | Rowan Blackstone | F♯ Major | 0 | 2B | 70 BPM | ||
| Gypsy | Lluis Capdevila, Petros Klampanis, Luca Santaniello | A Minor | 0 | 8A | 74 BPM | ||
| BioRhythmic | Dan Crisci Quartet | F♯ Major | 0 | 2B | 70 BPM | ||
| Return of the Light | Joe Elefante, Freddie Hendrix, Erena Terakubo, Sameer Shankar, David Heilman | A♭ Major | 5 | 4B | 117 BPM | ||
| Waltz For Ellis | Jordan Williams, Nat Reeves, Jeff "Tain" Watts | F♯ Major | 0 | 2B | 70 BPM | ||
| Ginger Night | Ella Mercer | G Major | 0 | 9B | 94 BPM | ||
| Trail of Tears | Jim Rattigan, Liam Noble, Thomas Gould | F Minor | 1 | 4A | 84 BPM | ||
| Vertiginous Maker | Matthew Hawke | D♭ Major | 3 | 3B | 143 BPM | ||
| So Je So Ru I | Daniel Platzman Quintet | G Major | 5 | 9B | 95 BPM | ||
| The Day We Said Goodbye | Yoko Miwa Trio | F♯ Major | 0 | 2B | 70 BPM | ||
| Night Scenes | Matthew McDonald | A Minor | 6 | 8A | 109 BPM | ||
| Astral Brass | Evan Lowry | F♯ Major | 0 | 2B | 70 BPM |