The Harry Lyd Orchestra's '(They Long To Be) Close To You' had a release date set for January 1, 2000. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 36 in the song's album "The Ultimate Sax Collection". In this album, this song's track order is #26. In terms of popularity, (They Long To Be) Close To You is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With (They Long To Be) Close To You by The Harry Lyd Orchestra having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Will You Be There | The Royal Sax Company | F♯ Minor | 3 | 11A | 170 BPM | ||
| Michelle | Mateo Farfan | F Minor | 2 | 4A | 105 BPM | ||
| Can´t Help Falling in Love With You | Svenssons Treooo, Monika Bring | B♭ Major | 1 | 6B | 96 BPM | ||
| How am I Supposed to Live Without You | Elixer | B♭ Major | 6 | 6B | 144 BPM | ||
| Misty | Norman Scott | G Major | 6 | 9B | 132 BPM | ||
| Nikita | Pepito Ros e A.M.P. | G Major | 6 | 9B | 85 BPM | ||
| At Last | Hank Schumann | F Major | 3 | 7B | 174 BPM | ||
| You've Been Talking In Your Sleep | The Harry Lyd Orchestra | A♭ Major | 3 | 4B | 76 BPM | ||
| Massachussets | The Richard Romance Orchestra | G Major | 3 | 9B | 154 BPM | ||
| Tu Compañia | José Miguel Méndez | G Major | 9 | 9B | 115 BPM | ||
| Perfect | SaxAndViolin, Eli Bennett, Rosemary Siemens | A♭ Major | 3 | 4B | 95 BPM | ||
| I'll Be There | Bruno Bertone, Kenny J. Charles | F Major | 5 | 7B | 82 BPM | ||
| Because of You | The Royal Sax Band | E Major | 4 | 12B | 128 BPM | ||
| Saving All My Love for You | Fausto Barbieri | D♭ Minor | 1 | 12A | 102 BPM | ||
| You Must Love Me | The London Theatre Orchestra | C Major | 2 | 8B | 90 BPM | ||
| Baker Street | Graham Turner | D Major | 5 | 10B | 116 BPM | ||
| Everything I Do (I Do It For You) | The Harry Lyd Orchestra | C Major | 3 | 8B | 140 BPM | ||
| I've Been Missing You | Hal Baker Experience | C Major | 5 | 8B | 116 BPM | ||
| Fields Of Gold | Pepito Ros e A.M.P. | D Major | 2 | 10B | 104 BPM | ||
| Evergreen | Karmaley Ween | A Major | 3 | 11B | 130 BPM | ||
| Home's Whispers | Soral | G Major | 4 | 9B | 105 BPM | ||
| Feelings | Ladislav Vratil, Richard Hindls | D Minor | 0 | 7A | 135 BPM | ||
| La vie en rose | Ladislav Vratil, Richard Hindls | F Major | 0 | 7B | 111 BPM | ||
| Just the Way You Are | Toddi Reed | C Major | 3 | 8B | 115 BPM | ||
| I Don't Wanna Miss a Thing - Sax Instrumental Version | David Llaguno Saxofonista | D Major | 3 | 10B | 121 BPM |