Ravindra Jain's ' "Tere Guru Mere Ur Baso" was released on its scheduled release date, December 28, 2021. This song appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Prabhu Patit Pavan". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. In terms of popularity, Tere Guru Mere Ur Baso is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Tere Guru Mere Ur Baso by Ravindra Jain having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maiya Karade Mero Byah - Original | Dheeraj Bhandari, Prakriti Sharma | F♯ Minor | 9 | 11A | 170 BPM | ||
| Teras Ri Hai Raat | Kamal Sethia | D Major | 6 | 10B | 78 BPM | ||
| Mera Ram Bhi Tu | Sukha Ram Saroa | C Minor | 8 | 5A | 104 BPM | ||
| Mori Maiya Ki Chunari | Shahnaz Akhtar | D♭ Major | 9 | 3B | 150 BPM | ||
| Babua O Babua | Hemlata | G Minor | 4 | 6A | 116 BPM | ||
| Aarti Man Mein Bsakar Teri Murti | Aniruddhacharya Ji Maharaj | B♭ Minor | 7 | 3A | 139 BPM | ||
| Ram Ji Ki Nikli Sawari | Mohammed Rafi | A Major | 8 | 11B | 125 BPM | ||
| Sare Tirth Dham | Sadhvi Purnima | C Major | 7 | 8B | 120 BPM | ||
| Jab Tak Pure Na Ho Phere Saat | Hemlata | G Minor | 6 | 6A | 116 BPM | ||
| Uthkar Subah Savere | Udit Narayan | D♭ Minor | 4 | 12A | 84 BPM | ||
| Ravi Speaks And Tora Man Darpan (With Commentary) | Asha Bhosle, Ravi | B♭ Minor | 5 | 3A | 93 BPM | ||
| Bhole Teri Kirpa Se | Debashish Dasgupta | G Major | 5 | 9B | 82 BPM | ||
| Yahan Wahan Jahan Wahan | Mahendra Kapoor | B♭ Minor | 9 | 3A | 80 BPM | ||
| Man Tera Mandir Ankhen Diya Bati | Mahendra Kapoor, Dilraj Kaur | G Major | 6 | 9B | 99 BPM | ||
| Aye Malik Tere Bande | Rajasree Mukherjee and Shromona Mukherjee | G Minor | 4 | 6A | 87 BPM | ||
| Mere Banke Bihari Lal | Madhavas Rock Band | A Major | 7 | 11B | 102 BPM | ||
| Main To Arti Utaroon Re | Usha Mangeshkar | D Minor | 4 | 7A | 155 BPM | ||
| Sawan Ki Rut Hai | Sonu Nigam | B Minor | 8 | 10A | 90 BPM | ||
| Mai Sabse Badi Hai Tu | Riza Khan, Bali Thakre | E Major | 8 | 12B | 104 BPM | ||
| Mera Koi Na Sahara Bin Tere Ghanshyam | Puran Shiva | D Major | 6 | 10B | 80 BPM | ||
| Mangal Murti Ramdulare | Roop Kumar Rathod | G Major | 2 | 9B | 127 BPM | ||
| Bajrangi Mahabali | Vikrant | F Minor | 9 | 4A | 127 BPM | ||
| He Dukh Bhanjan Maruti Nandan | Rakesh Kala | B Major | 8 | 1B | 90 BPM | ||
| Ram Kahne Se Tar Jaayega | Prem Bhushan Maharaj | D Major | 4 | 10B | 139 BPM | ||
| Teeno Lokan Se Nyari Radha Rani Humari | Gandharv Negi | A Minor | 8 | 8A | 101 BPM |