Amar Pal's ' "Rai Jago Go" was released on its scheduled release date, October 2, 2002. This song is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Prabhati". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. Based on our statistics, Rai Jago Go's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Rai Jago Go by Amar Pal having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maa Tui Porish Jodi | Amrik Singh Arora | F Major | 5 | 7B | 139 BPM | ||
| Jaina Smaran Thi | Kishore Manraja | E♭ Major | 7 | 5B | 150 BPM | ||
| Have Mara Vhala Ne | Harikrishna Patel | A Minor | 5 | 8A | 150 BPM | ||
| Jamuna Kinare | Sandhya Mukherjee, Akhil Bandhu Ghosh | F♯ Major | 4 | 2B | 78 BPM | ||
| Haal Dukh Dega To | Chandan Dass | B Major | 5 | 1B | 146 BPM | ||
| Shrinathji Sharanam Mamah | Asif Jeriya, Minakshi Vadher | F Major | 4 | 7B | 79 BPM | ||
| Katha Visharjan Viday | Dhaval Kumar | D♭ Major | 7 | 3B | 84 BPM | ||
| Modhu Makha Hori Nam | Parikshit Bala | B Minor | 5 | 10A | 87 BPM | ||
| Sharee Hanumanji Ki Arti | Atul Purohit | F♯ Minor | 6 | 11A | 95 BPM | ||
| O shrinathji Aavjo Tame | Nidhi Dholakia | E♭ Major | 4 | 5B | 119 BPM | ||
| Durga Durgotihora | Sreshthangsu Dutta | C Major | 6 | 8B | 162 BPM | ||
| Tar Haate Chhilo | Chinmoy Chatterjee | B♭ Major | 3 | 6B | 122 BPM | ||
| Jago He Nagar Basi | Amar Pal | C Major | 3 | 8B | 116 BPM | ||
| Yogiya Duarlabh | Digambar Kutae, Kashiram Indolikar | F Major | 7 | 7B | 100 BPM | ||
| Rai Jago Go | Amar Pal | D♭ Major | 3 | 3B | 109 BPM | ||
| Bhaktichiya Poti Bodh Kadka | Baba Maharaj Satarkar | A♭ Major | 3 | 4B | 138 BPM | ||
| Mukh Sundar Hole | Sanajit Mondal | C Major | 4 | 8B | 89 BPM | ||
| Andha Khora Boba | Manna Dey | B♭ Major | 8 | 6B | 92 BPM | ||
| Hare Krishna 3 - Original | Debjit, Bitu Samajpati, NA | B Minor | 8 | 10A | 136 BPM | ||
| Chatak Rangilo | Harikrishna Patel | E Minor | 9 | 9A | 80 BPM | ||
| Sarada Stotro | Narendrapur University Artist, Atanu Sanyal | F♯ Major | 2 | 2B | 96 BPM | ||
| Dokan Kholo Dekhi | Amar Pal | D♭ Major | 5 | 3B | 96 BPM | ||
| Shri Yamunashtakam | Nidhi Dholakia | A♭ Major | 4 | 4B | 150 BPM | ||
| Prabhu Tara Sharnoman | Pujya Bhaishree Rameshbhai Ojha | A♭ Minor | 6 | 1A | 147 BPM | ||
| Annyapurna Biswanather | Manna Dey | E Major | 7 | 12B | 147 BPM |