Matt Stanfield's ' "Artificial" was released on its scheduled release date, May 19, 2015. This song is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The track order of this song in Matt Stanfield's "Homecoming" album is number 2 out of 6. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Artificial is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Artificial by Matt Stanfield to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Never Gets Old - Reimagined Instrumental | Red Rocks Worship | D Major | 3 | 10B | 140 BPM | ||
| Hey Kid | Jessie-Rose Rayner | C Major | 1 | 8B | 91 BPM | ||
| The Mustard Seed (Matthew 13:31-32) | Joel Piper | F Minor | 1 | 4A | 87 BPM | ||
| Awake my soul and sing | Shawn Williams | G Minor | 1 | 6A | 108 BPM | ||
| A Time to Heal: III (Instrumental) | The Ramp, Karen Wheaton | G Major | 1 | 9B | 149 BPM | ||
| First Light / Last Word - Instrumental | River Valley Worship | E♭ Major | 4 | 5B | 92 BPM | ||
| This is the Hour Overture | Christy Nockels, Nathan Nockels | D Major | 2 | 10B | 116 BPM | ||
| the healing song - Mixed | Cephas Azariah, Elle Limebear | A Major | 4 | 11B | 126 BPM | ||
| The Giving (feat. Luke Hendrickson) | Ronda Adams, Luke Hendrickson | C Major | 2 | 8B | 139 BPM | ||
| Home Is Here | Let It Bloom | D Major | 2 | 10B | 134 BPM | ||
| Epilogue | Jessie-Rose Rayner | C Major | 1 | 8B | 91 BPM | ||
| Tree Branches | David Brymer | E Major | 0 | 12B | 71 BPM | ||
| a beautiful ending, a blessed beginning | Mitch Wong | G Major | 3 | 9B | 128 BPM | ||
| Within the River's Reach | Nathan Nockels | D Major | 1 | 10B | 90 BPM | ||
| Presence, Pt. 9 | Midtro | D Major | 0 | 10B | 66 BPM | ||
| We Belong to the Day | Nathan Nockels | A Major | 1 | 11B | 110 BPM | ||
| The Waters Were Quiet | Reach Church | F Major | 0 | 7B | 93 BPM | ||
| pure - outro | Abbie Gamboa, UPPERROOM | E Major | 2 | 12B | 79 BPM | ||
| Hope is the Way | Dan Musselman | B Major | 1 | 1B | 83 BPM | ||
| Twenty Three | Corey Broadwater | B♭ Major | 7 | 6B | 146 BPM | ||
| In the Middle | Jessie-Rose Rayner | C Major | 2 | 8B | 148 BPM | ||
| Haunted | Ry Cox | E Major | 3 | 12B | 101 BPM | ||
| restoration | Go Outside, Memories of the Forgotten | G Major | 1 | 9B | 104 BPM | ||
| Song in the Night - Soul Searching | Kim Clement | E♭ Major | 2 | 5B | 143 BPM | ||
| End And Begin | Ry Cox | F Minor | 7 | 4A | 151 BPM |