"ショパン:ワルツ第8番 変イ長調 作品64の3" by タチアナ・シェバノワ had its release date on June 21, 1991. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. ショパン:ワルツ第8番 変イ長調 作品64の3's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ショパン:ワルツ集(全19曲), so we believe that "ショパン:ワルツ第8番 変イ長調 作品64の3" is a single. ショパン:ワルツ第8番 変イ長調 作品64の3 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ショパン:ワルツ第8番 変イ長調 作品64の3 by タチアナ・シェバノワ is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Etude Op. 25 no. 8 in D Flat Major | Valentina Lisitsa | D♭ Major | 2 | 3B | 110 BPM | ||
| Beethoven Piano Sonata No. 24 Op. 78 I Adagio Cantabile – Allegro Ma Non Troppo | Valentina Lisitsa | G Minor | 0 | 6A | 66 BPM | ||
| Variations on a Theme by C.H., Op. 57: Var. 2. L'istesso tempo | Xaver Scharwenka, Seta Tanyel | C Major | 1 | 8B | 124 BPM | ||
| 15:バラード(ブルグミュラー:25の練習曲 作品100) | Friedrich Burgmüller, 伊奈和子 | E♭ Major | 1 | 5B | 179 BPM | ||
| ピアノ・ソナタ 第3番 ロ短調 作品58 第1楽章 | Kai Ichinose | B Major | 1 | 1B | 89 BPM | ||
| Grand Duet in E-Flat Minor (Version for Harp & Piano): II. Adagio | John Thomas, Duo Praxedis | E♭ Minor | 1 | 2A | 60 BPM | ||
| TVアニメ「ピアノの森」Piano Selection ショパン: ポロネーズ第6番 変イ長調 作品53 「英雄」 | Kai Ichinose | A♭ Major | 3 | 4B | 80 BPM | ||
| ショパン:24の前奏曲(プレリュード)集 作品28;第22番 ト短調 | タチアナ・シェバノワ | F Major | 1 | 7B | 142 BPM | ||
| 12 Etudes, L.136: 6. Pour les huit doigts | Claude Debussy, Gordon Fergus-Thompson | B♭ Minor | 1 | 3A | 98 BPM | ||
| Una Argentina en Paris | Cecilia Foj | A Major | 1 | 11B | 177 BPM | ||
| Three Sketches. Serenade No.2 - Duo-Art 5772 | Gerhard Frommel, Alexander Raab, Peter Phillips | A Major | 1 | 11B | 177 BPM | ||
| ワルツ 第7番 嬰ハ短調 Op.64-2 | Ewa Pobłocka | D♭ Minor | 0 | 12A | 71 BPM | ||
| 18 Études, Op. 109: No. 9, La cloche des matines | Friedrich Burgmüller, Carl Petersson | A♭ Major | 0 | 4B | 76 BPM | ||
| 16 Waltzes, Op. 39: No. 15 in A-Flat Major | Johannes Brahms, Bracha Eden, Alexander Tamir | A♭ Major | 0 | 4B | 103 BPM | ||
| ショパン:ワルツ第11番 変ト長調 作品70の1(遺作) | タチアナ・シェバノワ | E Minor | 0 | 9A | 108 BPM | ||
| Piano Sonata Op. 27 No.2 in C Sharp Minor – Sonata quasi una fantasia, “Moonlight Sonata” —Allegretto – Attacca | Lorenzo Luiselli, Beethoven | G Major | 0 | 9B | 104 BPM | ||
| Nocturne In A Flat Major, Op 62 No 3 | A Nanut | A♭ Major | 0 | 4B | 69 BPM | ||
| Get Us a Cab | Kokoro Shimizu | G Minor | 1 | 6A | 113 BPM | ||
| ドビュッシー: 水の反映 〜映像第1集より | Claude Debussy, Michel Béroff | F Major | 0 | 7B | 100 BPM | ||
| バラード第4番 ヘ短調 作品52 | Frédéric Chopin, Keisuke Toyama | D♭ Major | 1 | 3B | 118 BPM | ||
| 24 Preludes, Op. 34: No. 2 in A Minor | Dmitri Shostakovich, Konstantin Scherbakov | A Major | 1 | 11B | 177 BPM | ||
| Vora 'l Ter (On the Banks of the Ter) | Aita Donostia, Jordi Masó | E Major | 1 | 12B | 170 BPM | ||
| ツェルニー100番 練習曲(上) 15番アレグロ・モデラート | Carl Czerny, John O'Conor | D♭ Major | 2 | 3B | 68 BPM | ||
| Etudes for Piano, Op. 740: No. 17 in A Minor | Carl Czerny, Irina Smorodinova | A Minor | 4 | 8A | 112 BPM | ||
| 3 Mélodies, Op. 5: No. 3 in E-Flat Major, Andante soave | Fanny Mendelssohn, Pierpaola Porqueddu | A Major | 1 | 11B | 177 BPM |