Boney James's ' "All Night Long" was released on its scheduled release date, February 5, 1999. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 9 in Body Language by Boney James. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, All Night Long is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of All Night Long by Boney James is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You're Makin' Me High | Jessy J | D♭ Major | 4 | 3B | 92 BPM | ||
| Full Bloom | Kayla Waters | B♭ Minor | 7 | 3A | 108 BPM | ||
| Sermonized | Joe Sample | A♭ Minor | 5 | 1A | 100 BPM | ||
| Deep Time | Boney James | A Minor | 4 | 8A | 104 BPM | ||
| Fluid | Lin Rountree | D Minor | 5 | 7A | 95 BPM | ||
| Here She Comes | Boney James | F Minor | 8 | 4A | 97 BPM | ||
| On The Wes Side | Jeff Golub | A Minor | 4 | 8A | 96 BPM | ||
| Together At Last | Norman Brown | D♭ Minor | 5 | 12A | 83 BPM | ||
| Southern Voice | Kool&Klean | F Minor | 7 | 4A | 152 BPM | ||
| Personal Touch | Vincent Ingala | A♭ Major | 8 | 4B | 90 BPM | ||
| James Cafe | Jimmy Sommers | G Minor | 7 | 6A | 88 BPM | ||
| Somewhere in a Dream | Jessy J | F Minor | 5 | 4A | 143 BPM | ||
| Mercy Mercy Me | Jeff Golub | E Major | 6 | 12B | 97 BPM | ||
| Hollywood & Vine | Rick Braun | D♭ Minor | 6 | 12A | 112 BPM | ||
| Turning Night Into Day | Nelson Rangell | G Minor | 7 | 6A | 101 BPM | ||
| Give Me Your Heart | Bobby Lyle | B♭ Major | 4 | 6B | 150 BPM | ||
| Exotica | Paul Taylor | C Major | 7 | 8B | 96 BPM | ||
| Let's Have a Good Time | Braxton Brothers | C Major | 7 | 8B | 113 BPM | ||
| Happy | Jeffery Smith | B♭ Minor | 5 | 3A | 88 BPM | ||
| Close The Door | Pamela Williams | F Minor | 7 | 4A | 166 BPM | ||
| Walkin' | Paul Jackson, Jr. | F♯ Major | 7 | 2B | 101 BPM | ||
| The Ride | Kim Waters | G Major | 6 | 9B | 95 BPM | ||
| Cascade | Alex Bugnon | G Major | 6 | 9B | 90 BPM | ||
| Paradise | Norman Brown | A Minor | 5 | 8A | 77 BPM | ||
| Got to Keep It Moving | Nick Colionne | A♭ Minor | 8 | 1A | 100 BPM |