"Rocinha Favela" by Craig Armstrong had its release date on January 1, 2008. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 45 in the song's album "The Incredible Hulk". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Rocinha Favela is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rocinha Favela by Craig Armstrong having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blonsky Transforms | Craig Armstrong | E Minor | 1 | 9A | 170 BPM | ||
| Justice League | Frederik Wiedmann | D Minor | 4 | 7A | 133 BPM | ||
| Harlem Brawl | Craig Armstrong | A♭ Major | 6 | 4B | 195 BPM | ||
| Return to Culver University | Craig Armstrong | F Minor | 1 | 4A | 75 BPM | ||
| Hell of a Messenger | Frederik Wiedmann | D Minor | 2 | 7A | 105 BPM | ||
| It Ain't Over Till the Wasp Lady Stings | Christophe Beck | C Major | 6 | 8B | 175 BPM | ||
| Overcoming the Past | William Ross | B♭ Minor | 1 | 3A | 80 BPM | ||
| Birds Froze In Mid-Air | AGF, Craig Armstrong | G Major | 1 | 9B | 137 BPM | ||
| Mutant School | Michael Kamen | A♭ Major | 7 | 4B | 121 BPM | ||
| Blows | Roque Baños | A Major | 6 | 11B | 132 BPM | ||
| Anything Is Possible | Don Davis | D Minor | 2 | 7A | 119 BPM | ||
| Obliviate | Alexandre Desplat | C Major | 2 | 8B | 150 BPM | ||
| I Take Out the Trash | Geoff Zanelli | A Major | 2 | 11B | 180 BPM | ||
| Hangar Escape | Natalie Holt | B♭ Minor | 1 | 3A | 80 BPM | ||
| Battle at the Fort | Ilan Eshkeri | F♯ Minor | 6 | 11A | 130 BPM | ||
| Tidal Wave | Harald Kloser | F Major | 5 | 7B | 145 BPM | ||
| Helicopter Rescue | Bear McCreary | C Major | 1 | 8B | 121 BPM | ||
| The Great Misunderstanding | Craig Armstrong | D♭ Minor | 0 | 12A | 88 BPM | ||
| Helen's Story | Joe Kraemer | D Minor | 0 | 7A | 171 BPM | ||
| Meet the IMF | Joe Kraemer | A Minor | 1 | 8A | 90 BPM | ||
| Winning the War | Christophe Beck | D Major | 1 | 10B | 85 BPM | ||
| Hela vs. Asgard | Mark Mothersbaugh | F♯ Minor | 3 | 11A | 131 BPM | ||
| Day Break / We Will Rise / End Credits | Trevor Morris | A♭ Major | 8 | 4B | 89 BPM | ||
| Weird Things Happen | Mark Mothersbaugh | F♯ Minor | 0 | 11A | 119 BPM | ||
| CIA Never Sleeps | Ramin Djawadi | D♭ Major | 2 | 3B | 130 BPM |