Johann Sebastian Bach, Turtle Island String Quartet's 'Andante' had a release date set for 1995. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 14 in By the Fireside by Turtle Island String Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Andante by Johann Sebastian Bach, Turtle Island String Quartet is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
| II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
| IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM | ||
| Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM | ||
| Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
| Saint John Passion, BWV 245, Pt. I: "Herr, unser Herrscher" (Chorus) | Johann Sebastian Bach, Monica Huggett, Charles Daniels, Shannon Mercer, Matthew White, Jacques-Olivier Chartier, Tyler Duncan, Joshua Hopkins, Cappella Romana, Portland Baroque Orchestra | F♯ Minor | 3 | 11A | 79 BPM | ||
| [Suite in D Minor]: Allemande in D Minor, Gustafson 36 | Louis Couperin, Pavel Kolesnikov | F♯ Minor | 1 | 11A | 72 BPM | ||
| Fantasie g-Moll "duobus subjectis" BWV 917 | Inge Rosar | A Minor | 3 | 8A | 64 BPM | ||
| Goldberg Variations (‘Air with Thirty Variations’), BWV 988: III. Andantino, dolce | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | G Major | 1 | 9B | 173 BPM | ||
| Herz und Mund und Tat und Leben, BWV 147: Chorale. Jesus bleibet meine Freude | Johann Sebastian Bach, Brigitte Geller, Michael Chance, Jan Kobow, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 3 | 10B | 171 BPM | ||
| Sonata in B Minor, K. 27 | Domenico Scarlatti, Lucas Debargue | B Minor | 1 | 10A | 141 BPM | ||
| Bach Orchestral Suite No.2 in B Minor, BWV 1076: II. Rondeau | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 143 BPM | ||
| Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
| Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
| Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
| Ciacona in G Minor, Z. 730 | Henry Purcell, Orpheus Chamber Orchestra, Edward Brewer | G Minor | 1 | 6A | 138 BPM | ||
| Bach Orchestral Suite No.2 in B Minor, BWV 1076: IV. Bourée | London Conchord Ensemble, Florian Uhlig | B Minor | 3 | 10A | 129 BPM | ||
| Overture (Suite) No. 2 In B Minor, BWV 1067 : VI. Menuet | Cologne Chamber Orchestra, Johann Sebastian Bach | B Minor | 4 | 10A | 119 BPM | ||
| Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
| Wie schön leuchtet der Morgenstern, EG 70 | Philipp Nicolai, Johann Sebastian Bach, Kantorei der Kaiser-Wilhelm-Gedächtnis-Kirche, Helmut Hoeft | D Major | 2 | 10B | 170 BPM | ||
| Les tendres plaintes—Rondeau, RCT 3/1 - Recording 2021 | Jean-Philippe Rameau, Bruce Liu | D♭ Major | 2 | 3B | 77 BPM | ||
| Bach Orchestral Suite No.2 in B Minor, BWV 1076: VI. Menuet | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 114 BPM | ||
| Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM |