The Tender Land, ACT ONE, Scene Four: Interlude: Martin and Top make horseplay by Vern Sutton, Agnes Smuda, Orchestra Of The Plymouth Music Series, Chorus Of The Plymouth Music Series, Maria Jette, Sue Herber, Janis Hardy, Merle Fristad, Dan Dressen, Elisabeth Comeaux, Philip Brunelle, James Bohn Song Details

Vern Sutton, Agnes Smuda, Orchestra Of The Plymouth Music Series, Chorus Of The Plymouth Music Series, Maria Jette, Sue Herber, Janis Hardy, Merle Fristad, Dan Dressen, Elisabeth Comeaux, Philip Brunelle, James Bohn's ' "The Tender Land, ACT ONE, Scene Four: Interlude: Martin and Top make horseplay" was released on its scheduled release date, 1990. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 16 out of 44 in Copland - The Tender Land by Chorus Of The Plymouth Music Series, Philip Brunelle, Orchestra Of The Plymouth Music Series. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Tender Land, ACT ONE, Scene Four: Interlude: Martin and Top make horseplay is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

The tempo marking of The Tender Land, ACT ONE, Scene Four: Interlude: Martin and Top make horseplay by Vern Sutton, Agnes Smuda, Orchestra Of The Plymouth Music Series, Chorus Of The Plymouth Music Series, Maria Jette, Sue Herber, Janis Hardy, Merle Fristad, Dan Dressen, Elisabeth Comeaux, Philip Brunelle, James Bohn is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Music Key

The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

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