On March 18, 2024, the song "در خرابات نشسته بودی" was released by Jalil Parwani. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in جارشم, so we believe that "در خرابات نشسته بودی" is a single. در خرابات نشسته بودی is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of در خرابات نشسته بودی by Jalil Parwani is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Az Dasti Natesha Tet | Feroz Kondozi | A♭ Major | 8 | 4B | 187 BPM | ||
| من نیم دیوانه بلکه زندگی دیوانه است | Jalil Parwani | A♭ Major | 8 | 4B | 98 BPM | ||
| Khobona | Karan Khan | B♭ Minor | 6 | 3A | 104 BPM | ||
| Maida Maida Baran | Faiz Karezi | E Minor | 9 | 9A | 96 BPM | ||
| Dukhtar Afghan | Samir Rohesh | D♭ Minor | 9 | 12A | 133 BPM | ||
| Sta Yadoona | Samir Roashan | F♯ Minor | 4 | 11A | 83 BPM | ||
| Guftum Ke Naro | Haider Salim | D Minor | 6 | 7A | 66 BPM | ||
| Musafari Shlidalay Kat De | Karan Khan | G Major | 6 | 9B | 120 BPM | ||
| Kalali | Sadik Khan Mirasi | G Major | 8 | 9B | 188 BPM | ||
| Hasy Patona Badmashi Ke | Afghani Geet Mala | D♭ Major | 8 | 3B | 114 BPM | ||
| Be To Mana Zehir K | Arif Baloch | A♭ Minor | 5 | 1A | 105 BPM | ||
| Paani re diye (बिजट महाराज की गाथा) | Kapil Sharma (Shaan -E- Mehfil) | F♯ Major | 8 | 2B | 137 BPM | ||
| Majva Udave Raja | Ramkhilawan | B Major | 9 | 1B | 146 BPM | ||
| RAFI NABZADA-ASHEQE DARBAR SHAHAM MAN ZE KABUL MERAWAM | Rafi Nabzada | D♭ Major | 9 | 3B | 99 BPM | ||
| قطغنی | Delagha Surood, Hassan Besmel | F Major | 6 | 7B | 118 BPM | ||
| Mahali, Vol. 4 | Saba Akram | F Major | 5 | 7B | 103 BPM | ||
| Che Pakhwa Mi Pa Khatir | Fayaz Khan Kheshgi Official | E♭ Minor | 8 | 2A | 105 BPM | ||
| Da De Pa kama Gonah Warawalam | Sardar Ali Takar | D♭ Major | 7 | 3B | 130 BPM | ||
| Cha Pa Fareb Okhura | Fayaz Khan Kheshgi | C Minor | 8 | 5A | 163 BPM | ||
| Esa Esa Lagan Likhaya Guruji Mera | Sukhdev Bharti | D♭ Minor | 8 | 12A | 143 BPM | ||
| Loye SHe Khaibara | Rahim Shah | D♭ Minor | 9 | 12A | 133 BPM | ||
| رفتیم از این باغ | Sufi Majid Panjshiri | E Major | 7 | 12B | 125 BPM | ||
| Ya Ali Datar Mira Ali Datar | Anis Nawab | E♭ Major | 9 | 5B | 150 BPM | ||
| Dila deshab | Jalil Parwani | A Major | 4 | 11B | 86 BPM | ||
| Mhara Birosa Base Puna City Dhiyal Ne Levan Kun Aasi | Raghu Rana Thadiya | A♭ Major | 6 | 4B | 101 BPM |