"The Nutcracker Suite, Op. 71A, Arabian Dance" by Leopold Stokowski, Philadelphia Orchestra had its release date on January 1, 1990. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 15 in Fantasia by Leopold Stokowski, Philadelphia Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Nutcracker Suite, Op. 71A, Arabian Dance is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Nutcracker Suite, Op. 71A, Arabian Dance by Leopold Stokowski, Philadelphia Orchestra is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell' invenzione" / Concerto No. 3 in F Major for solo violin, "L'Autunno": 2. Adagio molto | Antonio Vivaldi, Hugh Bean, New Philharmonia Orchestra, Leopold Stokowski | E Minor | 6 | 9A | 84 BPM | ||
| Serenade In D Major, K. 250, "hafner", VII. Menuetto | Wolfgang Amadeus Mozart, Esterhazy Orchestra, Leopold Stokowski, Vienna State Opera Orchestra | D Major | 2 | 10B | 158 BPM | ||
| Scheherazade, Symphonic Suite After "A Thousand and One Nights", Op. 35 | Leopold Stokowski, Erich Gruenberg | G Major | 2 | 9B | 86 BPM | ||
| Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | ||
| Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM | ||
| Má vlast, JB 1:112: II. Vltava, "The Moldau" | Bedřich Smetana, Gustav Kuhn, Bamberg Symphony | C Major | 4 | 8B | 128 BPM | ||
| Carmen Suite No. 1: I. Aragonaise | Georges Bizet, Slovak Philharmonic, Anthony Bramall | D Minor | 1 | 7A | 112 BPM | ||
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
| Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
| Mary Poppins (Selections) | Robert B. Sherman, Richard Hayman, Richard Hayman Symphony Orchestra | E Major | 2 | 12B | 145 BPM | ||
| The Eternal Vow | Tan Dun, Yo-Yo Ma, Chen Xie Yang, David Cossin, Shanghai Symphony Orchestra, Shanghai National Orchestra | D Minor | 0 | 7A | 83 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 5. R.P.A. (Moderato) - Live | Edward Elgar, Czech Philharmonic, Leopold Stokowski | G Major | 4 | 9B | 93 BPM | ||
| 'Little' Fugue In G Minor BWV578 - 1997 Digital Remaster | Johann Sebastian Bach, Leopold Stokowski, Symphonica Orchestra | G Minor | 1 | 6A | 155 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
| Pictures at an Exhibition - Symphonic transcription by Leopold Stokowski: Samuel Goldenberg and Schmuyle | Modest Mussorgsky, New Philharmonia Orchestra, Leopold Stokowski | D♭ Major | 1 | 3B | 176 BPM | ||
| Symphony No.7 in A, Op.92: 4. Allegro con brio | Ludwig van Beethoven, New Philharmonia Orchestra, Leopold Stokowski | A Major | 2 | 11B | 132 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Pictures at an Exhibition - Symphonic transcription by Leopold Stokowski: Promenade - Gnome | Modest Mussorgsky, New Philharmonia Orchestra, Leopold Stokowski | B♭ Major | 2 | 6B | 167 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 11. G.R.S. (Allegro di molto) - Live | Edward Elgar, Czech Philharmonic, Leopold Stokowski | G Major | 4 | 9B | 93 BPM | ||
| Symphony in C Major, GB 115: II. Adagio | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | A Minor | 0 | 8A | 117 BPM | ||
| On the Beautiful Blue Danube - Waltz Op. 314 | Johann Strauss II, Hallé, Bryden Thomson | D Major | 0 | 10B | 81 BPM | ||
| Götterdämmerung: Siegfried's Funeral March | Richard Wagner, Leopold Stokowski | B Major | 2 | 1B | 72 BPM | ||
| Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
| Coppélia, Tableau 1: No. 1 Valse | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM |