"Sapporo, November 18, 1976 (Part 1)" by Keith Jarrett had its release date on January 1, 1978. This song appears to be safe for all ages as it is not explicit. There are a total of 13 in the song's album "Sun Bear Concerts". In this album, this song's track order is #1. In terms of popularity, Sapporo, November 18, 1976 (Part 1) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sapporo, November 18, 1976 (Part 1) by Keith Jarrett having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Paul Motian (1) | Anat Fort Trio | G Major | 1 | 9B | 81 BPM | ||
| Dani Interluding - Live in Berlin | Ralph Heidel, Moritz Stahl, Dani Scheffels | A♭ Minor | 1 | 1A | 71 BPM | ||
| Landscape For Future Earth | Keith Jarrett | C Minor | 2 | 5A | 81 BPM | ||
| Rimbaud Gedicht | Bobo Stenson Trio | D♭ Minor | 3 | 12A | 138 BPM | ||
| Gymnopédie No. 1: Var. 2 | Jacques Loussier Trio | G Major | 2 | 9B | 164 BPM | ||
| Copenhagen | Jakob Bro, Thomas Morgan, Jon Christensen | B Major | 1 | 1B | 94 BPM | ||
| Pepé Linque | Glen Moore, Oregon | A Minor | 2 | 8A | 138 BPM | ||
| St. Joseph | Niklas Fernqvist, Joel Lyssarides | A♭ Major | 0 | 4B | 87 BPM | ||
| We Are All Alone | Lyle Mays | C Major | 0 | 8B | 139 BPM | ||
| Ellen David | Charlie Haden, Keith Jarrett | C Minor | 1 | 5A | 80 BPM | ||
| Reste | Colin Vallon, Patrice Moret, Julian Sartorius | E♭ Major | 0 | 5B | 143 BPM | ||
| Seven Days of Falling | Esbjörn Svensson Trio | B♭ Minor | 2 | 3A | 114 BPM | ||
| Ghosts | Mete Erker, Floris Kappeyne, Tijs Klaassen, Wouter Kühne | A♭ Major | 1 | 4B | 77 BPM | ||
| Fader V (Father World) | Bobo Stenson Trio | E Major | 1 | 12B | 141 BPM | ||
| Mindiff | Abdullah Ibrahim | D Minor | 0 | 7A | 170 BPM | ||
| Suite in G Minor, HWV 452: IV. Gigue | George Frideric Handel, Keith Jarrett | B♭ Major | 3 | 6B | 87 BPM | ||
| Reading Of Sacred Books | Keith Jarrett | A Minor | 0 | 8A | 110 BPM | ||
| Something To Remember You By | Keith Jarrett | G Major | 0 | 9B | 70 BPM | ||
| Heartland - Live At Festspielhaus, Bregenz / 1981 | Keith Jarrett | F Major | 4 | 7B | 118 BPM | ||
| The Well-Tempered Clavier, Book 1: Fugue No. 3 in C-Sharp Major, BWV 848/2 - Live in Troy, NY / 1987 | Johann Sebastian Bach, Keith Jarrett | B Major | 4 | 1B | 147 BPM | ||
| Rio Part IX | Keith Jarrett | D♭ Minor | 1 | 12A | 104 BPM | ||
| Track 5 | Søren Bebe Trio | C Major | 0 | 8B | 101 BPM | ||
| The Dark Light | Arve Henriksen, Harmen Fraanje | G Minor | 0 | 6A | 96 BPM | ||
| Württemberg Sonata No. 6 in B Minor, H. 36: I. Moderato | Carl Philipp Emanuel Bach, Keith Jarrett | G Major | 0 | 9B | 84 BPM | ||
| Mein Lieber Schumann I (D’après Davidsbündlertänze No. 2, Op. 6 de Robert Schumann) | Enrico Pieranunzi, André Ceccarelli, Diego Imbert | B♭ Major | 3 | 6B | 128 BPM |