"Anaïs vs Marybeth" by Bryce Dessner had its release date on April 18, 2025. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Anaïs vs Marybeth's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Accountant 2 (Original Motion Picture Soundtrack)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Anaïs vs Marybeth is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Anaïs vs Marybeth by Bryce Dessner having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Remembering Mother | Marco Beltrami, Marcus Trumpp | B Minor | 1 | 10A | 120 BPM | ||
| Don't Die On Me | Chris Benstead | G Major | 0 | 9B | 52 BPM | ||
| The City Surf | Jamin Winans | F Major | 0 | 7B | 176 BPM | ||
| Love like an Ocean | Austin Fray, Hannah Delynn | A Major | 2 | 11B | 77 BPM | ||
| Back to Earth | Stefan Ekström | F♯ Minor | 8 | 11A | 132 BPM | ||
| So Much Like Your Sister | Joel J. Richard, Tyler Bates | D♭ Major | 10 | 3B | 105 BPM | ||
| Final Fight | Ryuichi Sakamoto, Bryce Dessner | B Minor | 3 | 10A | 169 BPM | ||
| Criminal Lives | John Paesano | F Minor | 9 | 4A | 148 BPM | ||
| Raising The Lusitania | Chris Benstead | B♭ Major | 0 | 6B | 177 BPM | ||
| The Lake | David Baloche | C Major | 1 | 8B | 121 BPM | ||
| Les outrages des hommes | Etienne Forget | G Minor | 1 | 6A | 72 BPM | ||
| Hemispheres | Jo Blankenburg | B♭ Minor | 4 | 3A | 121 BPM | ||
| The Grave Stone | Jordan Lehning | D Minor | 2 | 7A | 70 BPM | ||
| I Left The Earth | Lucinda Chua | A Major | 1 | 11B | 80 BPM | ||
| Save My Silo | Atli Örvarsson | A♭ Major | 3 | 4B | 124 BPM | ||
| Infinity | Michael Vignola | C Minor | 1 | 5A | 115 BPM | ||
| I Want To Go Out | Atli Örvarsson | A♭ Major | 1 | 4B | 74 BPM | ||
| Passageways III: The Ancient Lake | Bryce Dessner | A♭ Major | 2 | 4B | 102 BPM | ||
| Origins | Ryan Taubert | E♭ Major | 0 | 5B | 142 BPM | ||
| Peregrine (End Credits) | Chris Roe | D♭ Minor | 4 | 12A | 89 BPM | ||
| Drop Main Title | Bear McCreary | A♭ Major | 4 | 4B | 116 BPM | ||
| Naru's Way | Sarah Schachner | A Minor | 4 | 8A | 99 BPM | ||
| Snow | Explosions In The Sky | B Minor | 1 | 10A | 95 BPM | ||
| Arrest Me (feat. Coren Sithers) | Aria Prayogi | B♭ Minor | 7 | 3A | 140 BPM | ||
| A Distant Breath | Said The Sky, Tina Guo | G Minor | 1 | 6A | 81 BPM |