On January 1, 1994, the song "Porto Rico" was released by Sidney Bechet, Bunk Johnson. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "The Best Of Sidney Bechet". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. The popularity of Porto Rico is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Porto Rico by Sidney Bechet, Bunk Johnson having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dippermouth Blues | Woody Allen, Eddy Davis, Greg Cohen, Simon Wettenhall, Jerry Zigmont, Todd Robbins, Rob Garcia | B♭ Major | 6 | 6B | 99 BPM | ||
| Shake That Thing | Turk Murphy | A♭ Major | 5 | 4B | 177 BPM | ||
| To Be or Not to Be Flat | Reverent Juke | D♭ Major | 4 | 3B | 119 BPM | ||
| Bottom's Up | Illinois Jacquet | D♭ Major | 4 | 3B | 97 BPM | ||
| Wild Man Blues | Woody Allen, Eddy Davis, Greg Cohen, Simon Wettenhall, Jerry Zigmont, Todd Robbins, Rob Garcia | G Minor | 5 | 6A | 146 BPM | ||
| Dinah | Benny Goodman Quartet | F Minor | 4 | 4A | 124 BPM | ||
| New Orleans | Hoagy Carmichael | C Minor | 1 | 5A | 76 BPM | ||
| A Porter's Love Song To A Cham | James P. Johnson | F Minor | 1 | 4A | 101 BPM | ||
| Close Shave | John Kirby, Charlie Shavers, Buster Bailey, Russell Procope, Billy Kyle, O'Neill Spencer | E♭ Major | 4 | 5B | 113 BPM | ||
| New Orleans Shout | Bourbon Street Jazzband | B♭ Major | 3 | 6B | 96 BPM | ||
| Magnolia's Wedding Day | Chris Barber | E♭ Major | 8 | 5B | 99 BPM | ||
| Brown Suede | Barney Bigard & Orchestra | E♭ Major | 2 | 5B | 95 BPM | ||
| New Moten Stomp | Bennie Moten | F Major | 3 | 7B | 132 BPM | ||
| Shake, Rattle 'N Roll (Afternoon of a Moax) | Charlie Barnet | F Major | 3 | 7B | 132 BPM | ||
| I'll Build A Stairway To Paradise | Eddie Condon | B♭ Major | 5 | 6B | 123 BPM | ||
| Everybody Loves My Baby | Edmond Hall, Jørn Jensen Trio | A Minor | 3 | 8A | 95 BPM | ||
| Deep Harlem | Irving Mills & His Hotsy Totsy Gang | D Minor | 2 | 7A | 94 BPM | ||
| Listen to the Mockingbird | George Lewis | F Major | 5 | 7B | 110 BPM | ||
| Speakeasy Blues | King Oliver, King Oliver's Dixie Syncopators | B♭ Major | 3 | 6B | 113 BPM | ||
| Alligator Hop | King Oliver's Creole Jazz Band | B♭ Major | 5 | 6B | 112 BPM | ||
| Tain't What You Do | Jimmie Lunceford | F Major | 3 | 7B | 132 BPM | ||
| Charleston | James P. Johnson | F♯ Minor | 5 | 11A | 145 BPM | ||
| Blue Drag | Hot Sugar Band | D Minor | 4 | 7A | 116 BPM | ||
| Copyin' Louis | Jack Purvis | A♭ Major | 3 | 4B | 111 BPM | ||
| St. James Infirmary | Louis Armstrong & His Savoy Ballroom Five | E Minor | 2 | 9A | 111 BPM |