Mayank Rathod's ' "Mari Kayda Ni Kalam" was released on its scheduled release date, April 18, 2025. This song is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. Because this song is the only song in Mari Kayda Ni Kalam and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Mari Kayda Ni Kalam's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Mari Kayda Ni Kalam by Mayank Rathod to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chhori Rang Rangili | Kamlesh Barot, Nisha Barot | A♭ Major | 8 | 4B | 165 BPM | ||
| Senura Se Sajaw Jani | Golu Gold | D Major | 10 | 10B | 75 BPM | ||
| Mavtar Madjo Toh Sikotar Maa Madjo | Mayank Rathod | C Major | 7 | 8B | 103 BPM | ||
| Jigajaan Bhaibandh Tu Maro | Gopal Bharwad | D Major | 9 | 10B | 92 BPM | ||
| Koi Jontu Ntu Jonita Te Karya | Jayesh Kharvada | A Minor | 7 | 8A | 127 BPM | ||
| Pichkari Sataibo Aguwa Me | Aashish Yadav, Khushi Kakar | C Major | 9 | 8B | 135 BPM | ||
| Dil Maru Kahe Chhe 2 | Naresh Thakor | G Minor | 7 | 6A | 143 BPM | ||
| Bhai Dholida Tu Maro Veer | Jignesh Kaviraj | A Minor | 10 | 8A | 110 BPM | ||
| Kasamo Khati Ti Mara Gada Ni | Naresh Thakor | F♯ Minor | 7 | 11A | 120 BPM | ||
| Sayba | Tejal Thakor | D♭ Minor | 9 | 12A | 85 BPM | ||
| Madi tara ucha mandir nicha mol | Rushabh Ahir, Santvani Trivedi | D♭ Major | 7 | 3B | 156 BPM | ||
| Mohabbatwala Tel Se | Vikas Pande, Tannu Shriwastav | F♯ Major | 9 | 2B | 135 BPM | ||
| Vihat Mani Thai Gai Mithi Mer | Kaushik Bharwad | A Minor | 9 | 8A | 99 BPM | ||
| Bhai O Mara Bhari Banduk | Vipul Jogva | A♭ Major | 9 | 4B | 87 BPM | ||
| Mara Gher Aavo Ne Bahucharma Birdali - Original | Jignesh Barot | A Major | 10 | 11B | 62 BPM | ||
| Veli Upade Patanvali Gadi Gadivalo Aave Chhe | Rakesh Barot | F♯ Minor | 9 | 11A | 114 BPM | ||
| Jan Mari Janudina Lagan Levana | Rakesh Barot | G Major | 9 | 9B | 130 BPM | ||
| Hu Re Bhalo Bhalu Maru Re Kam | Jignesh Kaviraj | A Major | 9 | 11B | 123 BPM | ||
| Khuli Talvar Laine Faru Bhar Bajare - Original | Vijay Suvad, Tejal Thakor | A♭ Major | 9 | 4B | 103 BPM | ||
| Limda Vali Meldi Mataji No Navarango Mandavo Pt.3 | JK Timba | A♭ Major | 9 | 4B | 154 BPM | ||
| Kara Konji Kara Karsanji | Kinjal Dave | A Major | 10 | 11B | 141 BPM | ||
| Dariya Ni Devi Tu Na Mali Hot To Roi Roi Ne Dada Jata Hot | Mayank Rathod | D♭ Minor | 10 | 12A | 125 BPM | ||
| Aagvi Odkhan | Mayank Rathod | D Minor | 8 | 7A | 188 BPM | ||
| Bewafai | Dhaval Kapadia, Umesh Barot | D♭ Minor | 9 | 12A | 199 BPM | ||
| Chhodi Ne Gaya Tame Mane Je Halat Ma | Rakesh Barot, Mayur Nadiya | G Minor | 8 | 6A | 96 BPM |