Michael Rothery's 'In the Aftermath' had a release date set for December 20, 2013. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. In the Aftermath's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 5 in Call It In by Michael Rothery. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, In the Aftermath is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of In the Aftermath by Michael Rothery is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Citadel Agartha | Tettix, A Shell In The Pit | C Major | 7 | 8B | 113 BPM | ||
| Getting on the Train | Infinity Train | A♭ Major | 5 | 4B | 116 BPM | ||
| Here Be Dragons (arr. for SCP Illustrated) | Corvus B. | E♭ Major | 2 | 5B | 140 BPM | ||
| A Chance to Save | Sapph | B♭ Minor | 3 | 3A | 143 BPM | ||
| The Cosmic Wilderness | John D. Boswell, Melodysheep | E Minor | 4 | 9A | 160 BPM | ||
| Alto's Theme | Brian Crawford | D Major | 8 | 10B | 100 BPM | ||
| Lunky's Theme | Lixian | F Minor | 3 | 4A | 72 BPM | ||
| Interwoven Stories | Todd Baker | C Major | 0 | 8B | 67 BPM | ||
| Open a Breach | Ben Prunty | C Major | 3 | 8B | 138 BPM | ||
| Sandstorm | George Strezov | A Minor | 4 | 8A | 195 BPM | ||
| SO2 | George Strezov | B Major | 2 | 1B | 129 BPM | ||
| Fear Is Temporary | Jo Wandrini | D♭ Major | 6 | 3B | 108 BPM | ||
| Take to the Sky (A How to Train Your Dragon Orchestration) | Rush Garcia | F♯ Major | 5 | 2B | 177 BPM | ||
| Lift Off | Simon Chylinski | C Major | 4 | 8B | 120 BPM | ||
| Secret Lab | Yann Van Der Cruyssen | A♭ Minor | 1 | 1A | 120 BPM | ||
| Ghosts of Void | Keith Power | D♭ Major | 2 | 3B | 77 BPM | ||
| Chain of Events | Michael Rothery | G Minor | 5 | 6A | 100 BPM | ||
| Ventures | Adriel Fair | B Minor | 7 | 10A | 107 BPM | ||
| Gravitated | Edgar Hopp | B Minor | 5 | 10A | 109 BPM | ||
| Ambivalence | Dream Cave | B♭ Minor | 7 | 3A | 100 BPM | ||
| Hieroglyphs | Dream Cave | D♭ Major | 3 | 3B | 136 BPM | ||
| CH4 | George Strezov | C Major | 2 | 8B | 140 BPM | ||
| Into the Night | Melodysheep | A Major | 4 | 11B | 111 BPM | ||
| Resonance | Joel Nielsen | C Minor | 2 | 5A | 85 BPM | ||
| True Limits of Humanity 2021 | Epic Mountain | A Minor | 5 | 8A | 150 BPM |