The Rileys's ' "P.A.R.T. Why?" was released on its scheduled release date, March 10, 2013. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. P.A.R.T. Why?'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Rileys Complete". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, P.A.R.T. Why?'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With P.A.R.T. Why? by The Rileys having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| That's How I Got to Memphis | Karl Blau | E Major | 6 | 12B | 111 BPM | ||
| Arms Like Boulders | The War On Drugs | D Major | 7 | 10B | 113 BPM | ||
| Tachycardia | Conor Oberst | C Major | 3 | 8B | 146 BPM | ||
| Ain't It Sweet | Phil Cook | G Major | 8 | 9B | 161 BPM | ||
| Farewell Transmission | Kevin Morby, Waxahatchee | D♭ Major | 4 | 3B | 84 BPM | ||
| China Cat Sunflower -> I Know You Rider | Stephen Malkmus & The Jicks | C Major | 7 | 8B | 90 BPM | ||
| As the Crow Flies | Hiss Golden Messenger | A♭ Major | 7 | 4B | 142 BPM | ||
| Some Birds | Jeff Tweedy | D Major | 7 | 10B | 137 BPM | ||
| I'm Writing a Novel - Spotify Sessions Curated by Jim Eno | Father John Misty | B♭ Major | 10 | 6B | 161 BPM | ||
| call the police | LCD Soundsystem | D Major | 7 | 10B | 151 BPM | ||
| Vampire Alberta Blues | John K. Samson | B Major | 4 | 1B | 80 BPM | ||
| In Between Days | Rogue Wave | G Major | 8 | 9B | 138 BPM | ||
| Every Time Katie | David Wax Museum | F Major | 9 | 7B | 88 BPM | ||
| Sweetness | Damien Jurado, Richard Swift | A Major | 5 | 11B | 155 BPM | ||
| Halfway There | Hurray For The Riff Raff | G Major | 0 | 9B | 116 BPM | ||
| There Can Be Only One | Cass McCombs | A Major | 7 | 11B | 86 BPM | ||
| Shades of Blue - Recorded at Spotify Studios NYC | Yo La Tengo | A Major | 4 | 11B | 124 BPM | ||
| Kodachrome | Conor Oberst and the Mystic Valley Band | E Major | 10 | 12B | 138 BPM | ||
| Jimmy Mack | Animal Collective | D♭ Major | 9 | 3B | 128 BPM | ||
| Francis | Houndstooth | A Major | 8 | 11B | 135 BPM | ||
| Ashamed of the Story I Told | The National | G Major | 9 | 9B | 110 BPM | ||
| Coming Down (feat. Matt Berninger) | Clap Your Hands Say Yeah, Matt Berninger | E Minor | 9 | 9A | 154 BPM | ||
| Head Rolls Off | Craig Finn | A Major | 9 | 11B | 134 BPM | ||
| Tell Her I’m Just Dancing | Hiss Golden Messenger | E Minor | 6 | 9A | 123 BPM | ||
| Waltz #2 | J Mascis | E Minor | 7 | 9A | 173 BPM |