Johann Strauss II, Richard Genée, Marko Letonja, Lorina Gore, Tasmanian Symphony Orchestra's 'Voices Of Spring, Op. 410' had a release date set for November 11, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Strauss II, Marko Letonja, Tasmanian Symphony Orchestra, Lorina Gore's "Johann Strauss: Waltzes and Arias" album is number 4 out of 11. On top of that, Australia appears to be the country where this track was created. Voices Of Spring, Op. 410 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Voices Of Spring, Op. 410 by Johann Strauss II, Richard Genée, Marko Letonja, Lorina Gore, Tasmanian Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bizet: Carmen, WD 31, Act 4: "Les voici ! Voici le quadrille !" (Chœur) | Georges Bizet, Michel Plasson, La Lauzeta, Les Éléments, Orchestre National Du Capitole De Toulouse | D♭ Minor | 2 | 12A | 93 BPM | ||
| Keyboard Suite in D Minor, HWV 437: III. Sarabande (Arr. for Chamber Orchestra) | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | D Minor | 0 | 7A | 170 BPM | ||
| Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | B♭ Major | 6 | 6B | 124 BPM | ||
| Cantabile | Pēteris Vasks, Johannes Fritzsch, Tasmanian Symphony Orchestra | A Minor | 1 | 8A | 90 BPM | ||
| Lakmé - Viens, Mallika…Sous le dôme épais Flower Duet | Léo Delibes, Philippe Gille, Edmond Gondinet, Milica Ilic, Victoria Lambourn, Andrew Greene, Tasmanian Symphony Orchestra | B Major | 1 | 1B | 81 BPM | ||
| Le grand cahier: X. L'incendie | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B Major | 3 | 1B | 122 BPM | ||
| Jazz Suite No. 2: VII. Dance 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 109 BPM | ||
| Blue Danube (An der Schönen Blauen Donau) Waltz Op.314 | Vienna Volksoper Orchestra, Peter Falk | D Major | 0 | 10B | 96 BPM | ||
| Giselle, Act 1: No. 4 Peasants return from grape harvest, Giselle’s waltz and group dance | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | E♭ Major | 1 | 5B | 88 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: III. Anitras Dans (Anitra’s Dance) | Edvard Grieg, Tasmanian Symphony Orchestra, Sebastian Lang-Lessing | E♭ Major | 2 | 5B | 90 BPM | ||
| Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
| Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
| Giselle, Act 2: No. 12 Ensemble Dance of the Wilis, Lead Wilis’ Variations, Myrtha’s Second, Variation, Lead Wilis and ensemble | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | ||
| Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra, Oscar Shumsky | C Major | 3 | 8B | 181 BPM | ||
| String Quintet in E Major, G. 275: III. Minuetto - Trio | Luigi Boccherini, Cuarteto Casals, Eckart Runge | A Major | 0 | 11B | 127 BPM | ||
| Concerto No. 2 in G minor, Op. 8, RV 315, "L'estate" (Summer): III. Presto | Antonio Vivaldi, Alberto Lizzio, Musici di San Marco | G Minor | 3 | 6A | 131 BPM | ||
| Kaiser (Emperor), Op. 437 : Kaiserwalzer | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | C Major | 0 | 8B | 95 BPM | ||
| Piano Concerto No. 1 in D Minor, Op. 61: III. Rondo. Vivace | Friedrich Kalkbrenner, Howard Shelley, Tasmanian Symphony Orchestra | A♭ Major | 1 | 4B | 76 BPM | ||
| Maid Of The River (Arr. Jessica Wells) | Sally Maer, Jess Ciampa, Stephen Lalor, Tasmanian Symphony Orchestra, Andrew Greene | F Major | 3 | 7B | 94 BPM | ||
| Otto e mezzo | Orchestre de la Suisse Romande | G Major | 1 | 9B | 75 BPM | ||
| M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
| Giselle, Act 1: Finale, Hilarion summons the return of the courtiers, Albrecht’s deception is revealed, Giselle’s mad scene and death | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | E♭ Major | 1 | 5B | 88 BPM | ||
| "O Fortuna" from Carmina Burana | The London Symphony Orchestra - The London Symphony Chorus | A Minor | 3 | 8A | 143 BPM | ||
| Strauss: Radetzky March, Op. 228 | Johann Strauss I, Hallé, Bramwell Tovey | A Major | 4 | 11B | 122 BPM | ||
| String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM |