"Night and Day" by The Real Group had its release date on January 1, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in The Real Group's "Live In Stockholm" album is number 6 out of 12. On top of that, United States appears to be the country where this track was created. In terms of popularity, Night and Day is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Night and Day by The Real Group to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Frosted Echoes of Windermere | Ekofola | G Major | 4 | 9B | 142 BPM | ||
| Det är en ros utsprungen - Live | Kraja, Jennie Abrahamson | E♭ Major | 1 | 5B | 131 BPM | ||
| This Will Be (An Everlasting Love) | Accent | F Minor | 5 | 4A | 89 BPM | ||
| Mass: VI. Agnus Dei | Steve Dobrogosz, St. Jacob's Chamber Choir, Stockholm Chamber Orchestra, Gary Graden | C Major | 1 | 8B | 85 BPM | ||
| Ljug mig | Martin Tode & Linda Nilsson | E Minor | 2 | 9A | 136 BPM | ||
| Isn't She Lovely | The Idea of North | C Major | 3 | 8B | 118 BPM | ||
| Just idag | Bo Kaspers Orkester | B Minor | 6 | 10A | 100 BPM | ||
| Laughter Comes After Rain | Anders Widmark, Sara Isaksson | C Major | 2 | 8B | 130 BPM | ||
| I natt föds ett hopp | Martina Möllås | A Major | 3 | 11B | 154 BPM | ||
| Vårnatt | Wilhelm Stenhammar, Erik Westberg Vocal Ensemble, Mårten Landström, Erik Westberg | A♭ Major | 0 | 4B | 83 BPM | ||
| A Little Jazz Mass: Kyrie (Version for mixed chorus, piano, double bass and drums) | Bob Chilcott, Wellensian Consort, Will Todd Trio, Christopher Finch | A♭ Major | 0 | 4B | 75 BPM | ||
| Bordvers i jula | Sigrid Moldestad, Johan Hedin, Esbjörn Hazelius | A Major | 4 | 11B | 101 BPM | ||
| Forkladd gud, Op. 24: Kring höstlig vaktelds bränder … (Around the glowing watchfire of autumn …) [Baritone, Chorus] [the Disguised God] | Lars-Erik Larsson, Hillevi Martinpelto, Karl-Magnus Fredriksson, Gustaf Sjökvists Kammarkör, Bjorn Granath, Royal Stockholm Philharmonic Orchestra, Gustaf Sjokvist | C Minor | 2 | 5A | 104 BPM | ||
| River of What´s Been | Vocal Line | G Minor | 1 | 6A | 89 BPM | ||
| Come Sunday (arr. A. Jalkeus) | The Real Group | A Major | 0 | 11B | 83 BPM | ||
| Hjärtstilla | Zero8, Rasmus Krigström | E♭ Major | 1 | 5B | 108 BPM | ||
| Cry Out and Shout | Knut Nystedt, Stella, Solvieg Agren's Chamber Choir, Solvieg Agren | G Minor | 1 | 6A | 104 BPM | ||
| Nobody Knows | Ellen Andrea Wang, Rob Luft, Jon Fält | D Major | 0 | 10B | 89 BPM | ||
| Eg Er Ein Gjest I Verda | SalmeKlang, Kim André Rysstad | C Major | 3 | 8B | 93 BPM | ||
| Hlíðin mín fríða | GÓSS | B♭ Major | 4 | 6B | 122 BPM | ||
| Små människor | Kaj Magnusson, Vibafemba | A Major | 2 | 11B | 98 BPM | ||
| Commonly Unique | The Real Group, André De Lang, Ardis | B♭ Major | 4 | 6B | 108 BPM | ||
| I Seraillets have | Wilhelm Stenhammar, Jens Peter Jacobsen, The Real Group | F♯ Major | 1 | 2B | 104 BPM | ||
| Höstvisan | Arja Saijonmaa | A Minor | 2 | 8A | 76 BPM | ||
| Pavane, Op. 50 (Faure) | Hilary Field, Patrice O'Neill | F♯ Minor | 1 | 11A | 142 BPM |