"Barbara Allen" by Jean Ritchie had its release date on January 1, 1960. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 11 in British Traditional Ballads (Child Ballads) in the Southern Mountains, Vol. 1 by Jean Ritchie. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Barbara Allen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Barbara Allen by Jean Ritchie is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Get Thee Behind Me, Satan | The Almanac Singers | D♭ Major | 3 | 3B | 122 BPM | ||
| Prodigal Son | Dock Boggs | F♯ Major | 3 | 2B | 91 BPM | ||
| The Darby Ram | The Kossoy Sisters | G Minor | 4 | 6A | 98 BPM | ||
| Little Sadie | Hedy West, Bill Clifton | D Major | 3 | 10B | 124 BPM | ||
| Little Birdie | The Kossoy Sisters | B♭ Major | 2 | 6B | 183 BPM | ||
| The Pebble and the Man | Bridget St John | B Major | 5 | 1B | 105 BPM | ||
| Jane, Jane | Shirley Collins, Davy Graham | B Minor | 4 | 10A | 115 BPM | ||
| The Poor Wayfaring Stranger | Estil C. Ball | A Major | 1 | 11B | 76 BPM | ||
| Lost Jimmie Whalen | Tia Blake | E Minor | 0 | 9A | 207 BPM | ||
| Pretty Polly | Jean Ritchie, Doc Watson | B♭ Minor | 5 | 3A | 117 BPM | ||
| The Blackest Crow | Bruce Molsky | G Major | 3 | 9B | 141 BPM | ||
| Graveyard Blues | Roscoe Holcomb | G Major | 2 | 9B | 119 BPM | ||
| White Bird | Tia Blake | C Minor | 4 | 5A | 105 BPM | ||
| Bright Sunny South | Dock Boggs | F Minor | 4 | 4A | 114 BPM | ||
| The Maid Of Amsterdam | Paul Clayton | C Major | 2 | 8B | 120 BPM | ||
| Skin and Bones | Jean Ritchie | D♭ Minor | 0 | 12A | 78 BPM | ||
| Beaver Dam Road | Frank Proffitt | B Major | 5 | 1B | 115 BPM | ||
| Liza Jane | Nora Brown, Blind Boy Paxton | F Major | 7 | 7B | 142 BPM | ||
| Roads We Wander | Sabine McCalla | A Major | 1 | 11B | 112 BPM | ||
| Black Waters | Jean Ritchie | E Major | 2 | 12B | 174 BPM | ||
| The North Country Maid | The Watersons | F Minor | 1 | 4A | 138 BPM | ||
| And Am I Born To Die? | The Doc Watson Family | A Major | 1 | 11B | 83 BPM | ||
| Passing Through | Cisco Houston | A Major | 2 | 11B | 126 BPM | ||
| I'll Fly Away | The Kossoy Sisters | G Major | 4 | 9B | 98 BPM | ||
| Jay Gould's Daughter | Nora Brown | E♭ Major | 3 | 5B | 103 BPM |