Elliot Cole, Elliot Cooper Cole's 'Bloom I' had a release date set for February 8, 2019. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Bloom I's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Nightflower". In this album, this song's track order is #1. Based on our statistics, Bloom I's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bloom I by Elliot Cole, Elliot Cooper Cole having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bright Edge Deep: The Block Split | Sarah Neutkens, Alma Quartet Amsterdam | A Minor | 1 | 8A | 80 BPM | ||
| Autumn on the Keys | Theo Vos | F Minor | 0 | 4A | 84 BPM | ||
| Aguas da Amazonia: Paru River | Third Coast Percussion, Philip Glass, Constance Volk | D♭ Major | 1 | 3B | 165 BPM | ||
| The Wind in High Places: I. Above Sunset Pass | John Luther Adams, JACK Quartet | F Minor | 0 | 4A | 101 BPM | ||
| The Perilous Night: VI. Crotchet = 176 (or Faster) | John Cage, Marc-André Hamelin | B Major | 6 | 1B | 119 BPM | ||
| Kin | Catrin Finch, Ana-Gwen Wigley, Pegi Wigley | F Minor | 0 | 4A | 130 BPM | ||
| Solstice Ritual, Homage to Varèse and Ravel for 14 virtuosi: III. Bell Prayers | Augusta Read Thomas, Grossman Ensemble, Jeffrey Milarsky | D♭ Major | 0 | 3B | 64 BPM | ||
| Soft Breath | The Sleepy Pianist | A Major | 0 | 11B | 78 BPM | ||
| Traces III | Tigran Hamasyan, Arve Henriksen, Eivind Aarset, Jan Bang | C Minor | 0 | 5A | 96 BPM | ||
| Sima | Bryan Senti, Spencer Zahn, Noah Hoffeld, Czech National Symphony | G Major | 7 | 9B | 120 BPM | ||
| Left Hand Path | Elliot Cole | F Minor | 7 | 4A | 120 BPM | ||
| In the Light of Air: II. Serenity | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 1 | 8B | 69 BPM | ||
| Slow Twitchy Organs | Nico Muhly, James McVinnie | F Minor | 0 | 4A | 130 BPM | ||
| Postlude 3 | Elliot Cole, Blow Up Roma Percussion | F Minor | 1 | 4A | 86 BPM | ||
| In Visible Light | Laura Cannell | F Minor | 0 | 4A | 130 BPM | ||
| Extended Circular Music No. 1 | Jürg Frey, Mondrian Ensemble | D♭ Major | 0 | 3B | 69 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | F Minor | 0 | 4A | 130 BPM | ||
| Variationen zur Gesundung von Arinuschka | Arvo Pärt, Anna Gourari | A Minor | 0 | 8A | 133 BPM | ||
| Trails Crossing | Björn Meyer | D Major | 1 | 10B | 130 BPM | ||
| Bluff of Grut Fea | Erland Cooper | D♭ Major | 0 | 3B | 78 BPM | ||
| Bristol | Alexandra Hamilton-Ayres, Mara Simpson | G Minor | 1 | 6A | 120 BPM | ||
| Everybody was so young I | Sophia Jani, Kontai Ensemble | A♭ Major | 1 | 4B | 69 BPM | ||
| Sea Lily | Joachim Badenhorst | G Major | 1 | 9B | 80 BPM | ||
| Big Majestic | Ellen Reid | A Major | 2 | 11B | 68 BPM | ||
| Gnossienne No. 1 | Buck McDaniel, Carrie Frey, Sonia Bize | F Minor | 0 | 4A | 130 BPM |