Diptirekha Padhi, Ashutosh Mohanty's ' "Jiyara Re (Original Motion Picture Soundtrack)" was released on its scheduled release date, November 3, 2023. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 5 in Ashiq Surrender Hela (Original Motion Picture Soundtrack) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Jiyara Re (Original Motion Picture Soundtrack)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Jiyara Re (Original Motion Picture Soundtrack) by Diptirekha Padhi, Ashutosh Mohanty is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhiyare Pilonira Veldi Thodala | Vijay Kumar | D Minor | 9 | 7A | 185 BPM | ||
| Jagannatha Matiru Abhinandana | Prem Anannda, Sourav Bharadwaj, Diptirekha Padhi, Alekh Bishwal | C Major | 7 | 8B | 76 BPM | ||
| Tha Pakhare | Diptirekha Padhi, Sabisesh | B♭ Minor | 6 | 3A | 175 BPM | ||
| Mandakini | Amar Dash, Kiran Dash | A Minor | 8 | 8A | 134 BPM | ||
| Uthigala Dhara 370 | Ashutosh Mohanty, Lopamudra Dash | F Minor | 10 | 4A | 138 BPM | ||
| Maa Tharu Kehi Sundara Nahin | Diptirekha Padhi | D Major | 9 | 10B | 104 BPM | ||
| Ethara Phagune | Debesh Pati, Antara Chakraborty | G Minor | 9 | 6A | 124 BPM | ||
| Gomu Bajarala | Dhruvan Moorthy, Shweta Thakur | A♭ Major | 9 | 4B | 127 BPM | ||
| Sulochana | Ashish Kumbhar, Archana Padhi | G Major | 9 | 9B | 134 BPM | ||
| Yededu Lokalu Yeleti Ramudu, Pt. 3 | Divya Malika, Dilip Devgan | A♭ Minor | 7 | 1A | 135 BPM | ||
| Vachipora Bava | Divya Malika | F Minor | 8 | 4A | 143 BPM | ||
| Sawariya | Diptirekha Padhi, Debesh Pati | D♭ Major | 10 | 3B | 112 BPM | ||
| A MOULA ISHQ ME KHOGAYA | Ajay Mengani | G Major | 7 | 9B | 153 BPM | ||
| Sahara | Rajan Kar, Diptirekha Padhi | F Minor | 8 | 4A | 52 BPM | ||
| Alo Manini Puni Thare | Ashutosh Mohanty | C Major | 8 | 8B | 78 BPM | ||
| Nua Khai - From "Laddo" | Pratham Kumbhar, Antara Chakraborty, Nirmal Nayak, Somesh Satpathy | B Major | 7 | 1B | 80 BPM | ||
| Chumma Chumma | Sanju Mohanty, Satyajit Pradhan | G Minor | 10 | 6A | 84 BPM | ||
| To Harini Akhi | Humane Sagar, Aseema Panda | G Major | 9 | 9B | 110 BPM | ||
| Heera Neela Moti Manika - From "Rudrani The Power of Woman" | Diptirekha Padhi, Prem Anand, Shasank Sekhar | A♭ Major | 7 | 4B | 159 BPM | ||
| Jibar Jibana | Amar Dash, Nandini Kumbhar | E Major | 10 | 12B | 81 BPM | ||
| Premara Khajuri Tadi | Swayam Padhi, Antara Chakraborty | D♭ Minor | 9 | 12A | 87 BPM | ||
| Rasikia | Satyajit Pradhan, Antara Chakraborty | A♭ Minor | 8 | 1A | 64 BPM | ||
| Oye Guri | Mrinmay MS, Archana Padhi, NK Sahoo | B♭ Minor | 8 | 3A | 114 BPM | ||
| Bijli Bali 2.0 | Wetno, Kiran Dash | B Minor | 9 | 10A | 156 BPM | ||
| Srikhetra Dhama Female Version | Jyotirmayee Nayak | D♭ Minor | 7 | 12A | 144 BPM |