Robert Sharples's ' "Showtime (Intro, bridges and end)" was released on its scheduled release date, January 1, 1977. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 21 in Dance Crazes / Showtime by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Showtime (Intro, bridges and end)'s popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Showtime (Intro, bridges and end) by Robert Sharples is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Laughter Echoes | Halariaa | G Minor | 6 | 6A | 106 BPM | ||
| Workaday World | Jack Beaver | A♭ Major | 6 | 4B | 156 BPM | ||
| Man, Go Man! | Ralph Dollimore | F Minor | 7 | 4A | 88 BPM | ||
| Rhoda And Kirby | Bob Cobert | G Major | 3 | 9B | 80 BPM | ||
| Low Tide - Remastered | Robert Sharples, Münchner Symphoniker | F Major | 3 | 7B | 149 BPM | ||
| Fast Mail - Remastered | Manfred Minnich, Manfred Minnich Strings | C Major | 7 | 8B | 123 BPM | ||
| Gingerbread | Alan Hawkshaw | F Major | 2 | 7B | 118 BPM | ||
| It's Not Unusual | The Melachrino Orchestra | B♭ Major | 4 | 6B | 86 BPM | ||
| Beaty Latino - Remastered | Gerhard Narholz, The Gerhard Narholz Orchestra | B♭ Major | 7 | 6B | 180 BPM | ||
| Berlin Stroll | Horst Jankowski | F Major | 3 | 7B | 175 BPM | ||
| Big Show Theme | Robert Sharples | F Major | 3 | 7B | 149 BPM | ||
| Strings in Velvet - Remastered | Manfred Minnich, Manfred Minnich Strings | E Minor | 9 | 9A | 117 BPM | ||
| Alone at Last | Syd Dale | F♯ Major | 5 | 2B | 120 BPM | ||
| Appy Ampstead | Ketelbey, The New Symphony Orchestra Of London, Robert Sharples | F♯ Minor | 3 | 11A | 81 BPM | ||
| Londonderry Air | Percy Grainger, Frederick Fennell, Eastman Rochester Pops Orchestra | E Major | 2 | 12B | 86 BPM | ||
| Daphne's Island | Original Soundtrack | C Major | 4 | 8B | 120 BPM | ||
| Buenos Aires | Fernando Mendoza | F Minor | 6 | 4A | 127 BPM | ||
| Lullaby of Birdland | Klaus Wunderlich | G Major | 5 | 9B | 79 BPM | ||
| Honey Bunch | Karl Grell | G Minor | 3 | 6A | 116 BPM | ||
| Skater's Waltz | Wurlitzer 157 Carousel Organ | C Major | 4 | 8B | 182 BPM | ||
| Bubbles In The Wine - 1995 - Remaster; Digital Version | Freddy Martin | A♭ Major | 3 | 4B | 159 BPM | ||
| Hollywood Heyday | Gareth Hughes | C Minor | 3 | 5A | 141 BPM | ||
| Miniskirt | Muzak Brass Orchestra | C Major | 7 | 8B | 82 BPM | ||
| The Boy Next Door (from “Meet Me In St. Louis”) | Hugh Martin, Ralph Blane – arr. Conrad Salinger, Conrad Salinger Orchestra, Buddy Bregman | F Major | 3 | 7B | 69 BPM | ||
| Legacy | Aurora Crescendo | G Major | 4 | 9B | 122 BPM |