Roy Clark's ' "Thank God and Greyhound" was released on its scheduled release date, March 15, 1996. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Thank God and Greyhound's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Roy Clark's "Great Picks & New Traditions" album is number 6 out of 12. On top of that, United States appears to be the country where this track was created. Thank God and Greyhound is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Thank God and Greyhound by Roy Clark to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sentimental Ol' You | Charly McClain | A Major | 4 | 11B | 111 BPM | ||
| Only Daddy That Will Walk the Line | Waylon Jennings and the Waylors | A♭ Major | 6 | 4B | 80 BPM | ||
| Pass Me By | Johnny Rodriguez | G Major | 4 | 9B | 101 BPM | ||
| Party Time | T.G. Sheppard | F Major | 5 | 7B | 100 BPM | ||
| Looking Back To See | The Browns | G Major | 2 | 9B | 97 BPM | ||
| Jose Cuervo | Shelly West | G Major | 6 | 9B | 115 BPM | ||
| Across The Alley From The Alamo | Bob Wills, Gene 'Tag' Lambert | B♭ Major | 4 | 6B | 150 BPM | ||
| The Girl On The Billboard | Del Reeves | D Major | 7 | 10B | 83 BPM | ||
| Come a Little Bit Closer | Johnny Duncan, Janie Fricke | B♭ Major | 7 | 6B | 129 BPM | ||
| Walk On By | MEL STREET | B Major | 4 | 1B | 135 BPM | ||
| Heartbroke | Ricky Skaggs | D Major | 6 | 10B | 96 BPM | ||
| Statue Of A Fool | Jack Greene | B♭ Major | 3 | 6B | 80 BPM | ||
| Love Is Just A Game | Larry Gatlin | G Major | 5 | 9B | 176 BPM | ||
| Only The Lonely | Sonny James | E Major | 4 | 12B | 104 BPM | ||
| There He Goes | Sissy Spacek | F Major | 3 | 7B | 101 BPM | ||
| The Old Side of Town | Tom T. Hall | A Major | 5 | 11B | 109 BPM | ||
| Lion In Winter | Hoyt Axton | D Major | 4 | 10B | 130 BPM | ||
| Waltz Across Texas | Sammi Smith | F♯ Major | 3 | 2B | 92 BPM | ||
| Yes Mr. Peters | Roy Drusky, Priscilla Mitchell | A Major | 3 | 11B | 105 BPM | ||
| Heartaches by the Numbers | Leroy Van Dyke | E Major | 5 | 12B | 73 BPM | ||
| The Door Is Always Open | Dave and Sugar | F Major | 5 | 7B | 188 BPM | ||
| I Don't Love You Anymore | Charlie Louvin | G Major | 4 | 9B | 127 BPM | ||
| Give Me Forty Acres | Willis Brothers | F Major | 6 | 7B | 121 BPM | ||
| Coca-Cola Cowboy | Bill Phillips | F Major | 4 | 7B | 122 BPM | ||
| Deep In The Heart Of Texas | Bob Wills | G Minor | 4 | 6A | 201 BPM |