"Suite del Plata, No. 1: Milonga" by Maximo Diego Pujol, Victor Villadangos had its release date on January 10, 2002. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Victor Villadangos's "Guitar Music Of Argentina, Vol. 1" album is number 14 out of 28. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Suite del Plata, No. 1: Milonga is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite del Plata, No. 1: Milonga by Maximo Diego Pujol, Victor Villadangos to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hymne à l'amour | Roland Dyens | E♭ Major | 0 | 5B | 81 BPM | ||
| Barrios Mangoré: La catedral: III. Allegro solemne | Thibaut García | B Minor | 2 | 10A | 128 BPM | ||
| Suite Del Recuerdo: II. Zamba | Jose Luis Merlin | E Minor | 1 | 9A | 80 BPM | ||
| Evocation | Jose Luis Merlin, Matt Bacon | E Minor | 2 | 9A | 76 BPM | ||
| Suite Española No. 1, Op. 47 (Arr. Laura Lootens for Solo Guitar): No. 5, Asturias (Leyenda) | Isaac Albéniz, Laura Lootens | E♭ Minor | 2 | 2A | 114 BPM | ||
| 12 Songs for Guitar: No. 6, What a Friend - Arr. for Guitar by T. Takemitsu | Toru Takemitsu, Charles Crozat Converse, Giacomo Palazzesi | G Major | 1 | 9B | 83 BPM | ||
| Atacama | Francisco Zavaleta | A Minor | 1 | 8A | 204 BPM | ||
| Montaña: Suite Colombiana No. 2: IV. Porro | Gentil Montaña, Sharon Isbin, Thiago de Mello | D Major | 2 | 10B | 114 BPM | ||
| Cancion | Antonio Lauro, Victor Villadangos | G Major | 0 | 9B | 107 BPM | ||
| Serie Americana: Takirari | Hector Ayala, Victor Villadangos | G Major | 0 | 9B | 148 BPM | ||
| Merengue | Antonio Lauro, Victor Villadangos | D Major | 1 | 10B | 110 BPM | ||
| Albéniz: Suite Española No.1, Op. 47, Granada | Ana Vidović | A Minor | 0 | 8A | 134 BPM | ||
| Koyunbaba, Op. 19: III. Cantabile | Carlo Domeniconi, Celil Refik Kaya | D♭ Minor | 0 | 12A | 116 BPM | ||
| Copla de Ausencia | Maximo Diego Pujol | A Minor | 2 | 8A | 95 BPM | ||
| Preludio del Adiós | Alfonso Montes, John C. Williams | A Minor | 1 | 8A | 91 BPM | ||
| Agua e vinho | Sergio & Odair Assad | G Minor | 0 | 6A | 92 BPM | ||
| Like a Mirror - Requinto Version | Andreas Heuser | E Minor | 2 | 9A | 146 BPM | ||
| Nostalgia | Rodrigo Riera, Luis Sierra Guitarrista | A Minor | 0 | 8A | 162 BPM | ||
| Concordancias: V Andando | Walter Heinze, Victor Villadangos | E Minor | 1 | 9A | 88 BPM | ||
| The Deer Hunter: Cavatina | Stanley Myers, Jason Vieaux | E Major | 0 | 12B | 80 BPM | ||
| Prelude No. 1 | Heitor Villa-Lobos, Simon Dinnigan | E Minor | 1 | 9A | 74 BPM | ||
| Inspiração - 2025 Remastered Version | Garoto, Pedro Del Toro | A Major | 1 | 11B | 84 BPM | ||
| Nocturno de Moriana | Lucas Brar | E Minor | 2 | 9A | 136 BPM | ||
| "Nocturne" Reverie, Op. 19 | Giulio Regondi, Tal Hurwitz | D Major | 2 | 10B | 128 BPM | ||
| Andante Expresivo | Jorge Morel, Victor Villadangos | B Minor | 1 | 10A | 100 BPM |