"Applied Autonomy" by Robert Lippok had its release date on May 18, 2018. This song is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The song is number 2 out of 11 in Applied Autonomy by Robert Lippok. The popularity of Applied Autonomy is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Applied Autonomy by Robert Lippok is Vivace (lively and fast), since this song has a tempo of 163 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kinsei | Shida Shahabi | G Major | 2 | 9B | 68 BPM | ||
| We Walked all the Way to the Lake and The Water Was So Still We Jumped in Naked | Dylan Henner | D♭ Major | 1 | 3B | 74 BPM | ||
| Why Return | Ryan J Raffa, Sam Prekop | A Minor | 1 | 8A | 121 BPM | ||
| Sea | Luke Abbott | E♭ Major | 0 | 5B | 75 BPM | ||
| Open - Pt. 2 - 2024 Remaster | Robert Lippok | B♭ Minor | 9 | 3A | 115 BPM | ||
| Reverence | Elori Saxl, Henry Solomon | A Minor | 4 | 8A | 100 BPM | ||
| Gammelpop | Barbara Morgenstern, Robert Lippok | D♭ Major | 4 | 3B | 123 BPM | ||
| Continental Drift | Pye Corner Audio | C Major | 0 | 8B | 68 BPM | ||
| Dernière visite | Natasha Pirard | D♭ Major | 1 | 3B | 72 BPM | ||
| Sary Oi | Soojin Anjou, Askat Jetigen, Robert Lippok | D♭ Major | 7 | 3B | 113 BPM | ||
| Death Cleaning | Pan-American | A Minor | 4 | 8A | 100 BPM | ||
| Order | Jim Jarmusch, Anika | G Major | 1 | 9B | 173 BPM | ||
| Cantus for Winter, Part Two | zakè | A Minor | 4 | 8A | 100 BPM | ||
| Tista lengter | Joe Harvey-Whyte, Geir Sundstøl, Jo Berger Myhre | A Minor | 4 | 8A | 100 BPM | ||
| And Then They Are Gone | The Black Dog | E Major | 2 | 12B | 167 BPM | ||
| Open - 2024 Remaster | Robert Lippok | B♭ Minor | 9 | 3A | 115 BPM | ||
| Day Of The Voyage | Ocean Moon | C Major | 2 | 8B | 91 BPM | ||
| Übermorgen - album edit | Barbara Morgenstern, Justus Köhncke, Robert Lippok | F Minor | 6 | 4A | 87 BPM | ||
| Amethyst | Joachim Spieth, Andrew Thomas | G Major | 1 | 9B | 79 BPM | ||
| The View From Halton Castle | Warrington-Runcorn New Town Development Plan | A Minor | 4 | 8A | 100 BPM | ||
| Stint | Jesse Osborne-Lanthier, Robert Lippok | A♭ Major | 4 | 4B | 96 BPM | ||
| Kubus II | Robert Lippok, Kaan Bulak | C Major | 3 | 8B | 97 BPM | ||
| Dream IV | Bartosz Kruczyński | D♭ Major | 1 | 3B | 95 BPM | ||
| A Thousand Steps | Elori Saxl, Henry Solomon | A Minor | 4 | 8A | 100 BPM | ||
| Kana | Eve Levue | B Major | 9 | 1B | 123 BPM |