Francesco Tristano's 'Aria for RS' had a release date set for February 11, 2022. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "On Early Music". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. Aria for RS is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Aria for RS by Francesco Tristano having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adagio in F, H.XVII No. 9 | Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM | ||
| Prelude No. 3 in C# Major from The Well-Tempered Clavier Book I, BWV 848 | Brad Mehldau | D♭ Major | 3 | 3B | 129 BPM | ||
| Fantasie g-Moll "duobus subjectis" BWV 917 | Inge Rosar | A Minor | 3 | 8A | 64 BPM | ||
| Nocturne No. 9 in E Minor, H. 46 | John Field, Alice Sara Ott | F Major | 0 | 7B | 67 BPM | ||
| Keyboard Sonata in B Minor, Kk. 87 | Domenico Scarlatti, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
| La Muse Plantine (19e ordre) | François Couperin, Alexandre Tharaud | D Minor | 1 | 7A | 74 BPM | ||
| Suite for 2 Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Lucas Jussen, Arthur Jussen | A♭ Major | 0 | 4B | 88 BPM | ||
| 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major. Andante moderato | Gabriel Fauré, Kun-Woo Paik | A♭ Major | 0 | 4B | 65 BPM | ||
| Cafe Shinjuku (feat. Michel Portal) | Francesco Tristano, Michel Portal | G Major | 1 | 9B | 124 BPM | ||
| Brahms: 7 Fantasien, Op. 116: No. 2, Intermezzo in A Minor | Johannes Brahms, Nicholas Angelich | D Minor | 0 | 7A | 72 BPM | ||
| Canon (Counter-Retrograde, based on Bach’s The Art of Fugue) | Daniil Trifonov | F Major | 0 | 7B | 66 BPM | ||
| 25 Préludes, Op.31: No. 8, La chanson de la folle au bord de la mer | Charles-Valentin Alkan, Igor Levit | A♭ Major | 0 | 4B | 67 BPM | ||
| Ferré: Thème de François | Alexandre Tharaud | B♭ Minor | 2 | 3A | 133 BPM | ||
| Wild Swans Suite: II. Eliza Aria (Version for Piano) | Elena Kats-Chernin, Lang Lang | F Major | 2 | 7B | 81 BPM | ||
| Massenet: 10 Pièces de genre, Op. 10: No. 5, Mélodie "Élégie" | Jules Massenet, Shani Diluka | F Major | 2 | 7B | 123 BPM | ||
| Suite en ré: Les Tendres Plaintes | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | ||
| Gesänge der Frühe, Op. 133 (1853): 1. Im ruhigen Tempo | Robert Schumann, Mitsuko Uchida | D Major | 0 | 10B | 67 BPM | ||
| Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Racha Arodaky | D Minor | 4 | 7A | 132 BPM | ||
| At Les - Antigone Remix - Mixed | Carl Craig, Antigone, Francesco Tristano, Les Siècles, François-Xavier Roth | A Major | 9 | 11B | 124 BPM | ||
| Schumann: Kinderszenen, Op. 15: No. 12, Kind im Einschlummern | Robert Schumann, Jonathan Biss | E Major | 0 | 12B | 77 BPM | ||
| Byrd: Pavana Lachrymae (After Dowland's "Flow My Tears") | William Byrd, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Scheherazade, Op. 35: The Story of the Calender Prince | Nikolai Rimsky-Korsakov, Alice Sara Ott, Francesco Tristano | B Minor | 1 | 10A | 140 BPM | ||
| Gnossiennes: No. 5 | Erik Satie, Reinbert de Leeuw | G Major | 0 | 9B | 51 BPM | ||
| 11 Chorale Preludes, Op. 122: No. 10, Herzlich tut mich verlangen II (Arr. Mandyczewski for Piano 4 Hands) | Johannes Brahms, Lucas Jussen, Arthur Jussen | A Major | 0 | 11B | 106 BPM |