Say Anything's ' "Slowly, Through a Vector" was released on its scheduled release date, October 1, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Say Anything's "Is a Real Boy" album is number 10 out of 21. On top of that, United States appears to be the country where this track was created. Slowly, Through a Vector is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Slowly, Through a Vector by Say Anything to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What The Hell Is Stipulation | Reggie And The Full Effect | D Major | 8 | 10B | 162 BPM | ||
| Ape Dos Mil | Glassjaw | G Major | 9 | 9B | 108 BPM | ||
| The Fourth Drink Instinct | Cute Is What We Aim For | E Major | 7 | 12B | 141 BPM | ||
| A Gentleman Caller | Cursive | B Minor | 7 | 10A | 151 BPM | ||
| Sunsets and Car Crashes | The Spill Canvas | A♭ Major | 3 | 4B | 107 BPM | ||
| Kellum | Bayside | C Minor | 9 | 5A | 91 BPM | ||
| Azalea | Two Tongues | D♭ Minor | 9 | 12A | 85 BPM | ||
| Staying Alive | Cursive | F Major | 5 | 7B | 176 BPM | ||
| The Futile | Say Anything | E Major | 9 | 12B | 186 BPM | ||
| The Compromise | The Format | F Major | 5 | 7B | 190 BPM | ||
| Oh No! | Dear and the Headlights | E♭ Major | 6 | 5B | 137 BPM | ||
| Retarded In Love | Say Anything | G Major | 4 | 9B | 96 BPM | ||
| If Tragedy's Appealing, Then Disaster's an Addiction | Moneen | A Major | 7 | 11B | 136 BPM | ||
| Several Ways To Die Trying | Dashboard Confessional | E♭ Major | 6 | 5B | 82 BPM | ||
| Chop Chop | The Academy Is... | E Minor | 10 | 9A | 155 BPM | ||
| Surgically Removing The Tracking Device | Say Anything | A Major | 9 | 11B | 136 BPM | ||
| I'm a Loner Dottie, a Rebel | The Get Up Kids | B Minor | 9 | 10A | 177 BPM | ||
| Symphony | I Am The Avalanche | B Major | 4 | 1B | 75 BPM | ||
| Sarah Goldfarb, Where Are Your Manners | Fear Before The March Of Flames | C Major | 9 | 8B | 89 BPM | ||
| I Took A Beating | I Am The Avalanche | D♭ Major | 9 | 3B | 110 BPM | ||
| Dear Child (I've Been Dying to Reach You) | Anthony Green | E Major | 9 | 12B | 147 BPM | ||
| Pick Me Up | The Format | F Major | 5 | 7B | 190 BPM | ||
| Cross Out The Eyes | Thursday | G Major | 8 | 9B | 80 BPM | ||
| Who's Sandie Jenkins | Chiodos | D Minor | 9 | 7A | 184 BPM | ||
| Straw Dog | Something Corporate | B Major | 7 | 1B | 102 BPM |