- BPM
- 75
- Key
- F Major
- Camelot
- 7B
Magnificat by Paul Smith, VOCES8 Song Details
"Magnificat" by Paul Smith, VOCES8 had its release date on September 26, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Revolutions". In this album, this song's track order is #12. Magnificat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Magnificat by Paul Smith, VOCES8 having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Music Key
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 13%
- Loudness
- -19.177 dB
- Acousticness
- 99%
- Danceability
- 20%
- Energy
- 8%
- Instrumentalness
- 0%
- Liveness
- 6%
- Loudness
- 68%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Let all mortal flesh keep silence | Edward Bairstow, Choir of Clare College, Cambridge, Graham Ross, Alexander Porteous, Joshua Pacey | F♯ Minor | 1 | 11A | 132 BPM | |
 | Media vita | Kerensa Briggs, VOCES8 | B Minor | 1 | 10A | 127 BPM | |
 | Jesus Christ the Apple Tree | Elizabeth Poston, Tenebrae, Nigel Short | C Major | 0 | 8B | 107 BPM | |
 | Five Meditations for Orchestra: I. What Sweeter Music | John Rutter, Daniel Hyde, Britten Sinfonia | B♭ Major | 0 | 6B | 69 BPM | |
 | Come Thou Redeemer | Choir of King's College, Cambridge, David Willcocks, Simon Preston | E Minor | 2 | 9A | 86 BPM | |
 | Jesus Christ the Apple Tree | The Sixteen | C Major | 1 | 8B | 86 BPM | |
 | Northern Lights | National Children’s Chorus, Luke McEndarfer | A Major | 3 | 11B | 79 BPM | |
 | Serenity | The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood, Wallis Power | A♭ Minor | 1 | 1A | 77 BPM | |
 | Sancte et sapienter | Philip Moore, The Choir of King's College London, Joseph Fort | B Minor | 1 | 10A | 75 BPM | |
 | The Three Kings | Jonathan Dove, Choir of St. John's College, Cambridge, Christopher Gray, Arthur Cobb, George Henty | F♯ Minor | 1 | 11A | 127 BPM | |
 | What Sweeter Music? | Tenebrae, Nigel Short, James Sherlock | F♯ Major | 0 | 2B | 118 BPM | |
![La nuit et l'amour Variation (After Ludus pro patria: II. La nuit et l'amour) [Arr. for Cello, Violin & Piano by Jan-Peter Klöpfel] by Augusta Holmès, Jan-Peter Klöpfel, Raphaela Gromes, Eldbjørg Hemsing, Sophie Pacini](https://i.scdn.co/image/ab67616d00001e02e2f26fed5d6eeadb4e10174d) | La nuit et l'amour Variation (After Ludus pro patria: II. La nuit et l'amour) [Arr. for Cello, Violin & Piano by Jan-Peter Klöpfel] | Augusta Holmès, Jan-Peter Klöpfel, Raphaela Gromes, Eldbjørg Hemsing, Sophie Pacini | A♭ Major | 0 | 4B | 84 BPM | |
 | Wild Swans | Christopher Tin, Voces8, Royal Philharmonic Orchestra, Barnaby Smith | G Major | 1 | 9B | 71 BPM | |
 | All-Night Vigil, Op. 37: I. Amen. Come, Let Us Worship God, Our King | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Bryan Taylor, Paul Davidson | E Minor | 4 | 9A | 94 BPM | |
 | Es ist ein Ros entsprungen | Michael Praetorius, Voces8 | E Major | 0 | 12B | 129 BPM | |
 | Psalm 23, Op. 132, D. 706 | Franz Schubert, John Rutter, Aurora Orchestra, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | |
 | Lux Aurumque | Eric Whitacre, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | D♭ Major | 0 | 3B | 76 BPM | |
 | The First Noel (Arr. Gregson for Solo Cello, Choir and Strings) | Peter Gregson, Tenebrae, Nigel Short, Simon Blendis, Magnus Johnston, Annabelle Meare, Lawrence Power, Laurie Anderson, Katherine Jenkinson | G Major | 1 | 9B | 69 BPM | |
 | In Paradisum | The Cambridge Singers | D Major | 1 | 10B | 61 BPM | |
 | Ding Dong Merrily on High | Anonymous, Charles Wood, VOCES8 | B♭ Major | 3 | 6B | 103 BPM | |
 | Alma Redemptoris Mater | Giovanni Pierluigi da Palestrina, Choir of Merton College, Oxford, Peter Phillips | F Major | 1 | 7B | 68 BPM | |
 | Christmas Offering: III. There is no Rose | Kristina Arakelyan, The Choir of King's College London, Joseph Fort, Lucca Kelf, Esther Beyer | E♭ Minor | 1 | 2A | 78 BPM | |
| Quem Pastores? (Arr. Nigel Short) | Tenebrae, Nigel Short | B Major | 1 | 1B | 80 BPM | |
 | God is with us: A Christmas Proclamation | John Tavener, Elora Festival Singers, Noel Edison | C Major | 1 | 8B | 178 BPM | |
 | Ave Maria (Franz Biebl) | Chanticleer | D♭ Major | 0 | 3B | 65 BPM |
- ISRC
- UK4WW2517201
- Label
- L-M Records/RCA Records