"Dear Old Girl" by Haydn Quartet had its release date on 1904. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Dear Old Girl's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Albert Campbell's "Greatest Songs & Tunes of 1904" album is number 22 out of 25. On top of that, France appears to be the country where this track was created. Based on our statistics, Dear Old Girl's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dear Old Girl by Haydn Quartet to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saturday Night | Frankie Carle and His Orchestra | G Minor | 2 | 6A | 140 BPM | ||
| I Don't Love Nobody | Virginia Liston | C Minor | 1 | 5A | 105 BPM | ||
| Mad Dogs And Englishmen | Noel Coward | C Major | 2 | 8B | 134 BPM | ||
| Loud Speakin' Papa | The Charleston Chasers | E♭ Major | 1 | 5B | 177 BPM | ||
| I'll Be With You In Apple Blossom Time | Albert von Tilzer, Henry Burr, Albert Campbell | G Major | 2 | 9B | 82 BPM | ||
| K-K-K-Katy | Billy Murray | E♭ Minor | 4 | 2A | 103 BPM | ||
| O Sole Mio | Josef Locke | F Major | 2 | 7B | 0 BPM | ||
| In The Sweet Bye & Bye | Haydn Quartet | D♭ Minor | 2 | 12A | 129 BPM | ||
| Its a Long Way to Tipperary | Billy Murray | E♭ Minor | 4 | 2A | 103 BPM | ||
| Mary's A Grand Old Name | James Cagney & Sally Sweetland | E♭ Major | 1 | 5B | 76 BPM | ||
| Count Your Blessing and Smile | George Formby, Harry Gifford, Federick Cliffe | D♭ Major | 3 | 3B | 180 BPM | ||
| Be Like The Bluebird - (From "Anything Goes") | Cole Porter | D Major | 0 | 10B | 86 BPM | ||
| I Can't Get Started with You | Red McKenzie | E♭ Minor | 4 | 2A | 103 BPM | ||
| Three Little Words | Century Jukebox, Sid Phillips Melodians, Public Domain | A♭ Major | 3 | 4B | 94 BPM | ||
| Maybe (1940 Air Check) | The Ink Spots | F Major | 3 | 7B | 89 BPM | ||
| I Want a Girl (Just Like the Girl That Married Dear Old Dad) | American Quartet | E♭ Minor | 4 | 2A | 103 BPM | ||
| Au Revoir But Not Good-bye | The Peerless Quartet | C Major | 1 | 8B | 118 BPM | ||
| Glad Rag Doll | The Golden Gate Orchestra | E♭ Major | 1 | 5B | 143 BPM | ||
| Will You Remember | Alice Green, Raymond Dixon | E♭ Major | 1 | 5B | 80 BPM | ||
| Save a Fighter Pilot's Ass | Oscar Brand | F♯ Minor | 7 | 11A | 124 BPM | ||
| Swanee River Moon | Tiny Tim, Harve Mann | G Major | 3 | 9B | 118 BPM | ||
| Somewhere In France Is the Lily (Recorded 1918) | Charles Hart | F Major | 2 | 7B | 118 BPM | ||
| Sunday | Abe Lyman | G Major | 3 | 9B | 103 BPM | ||
| Tea Dance Waltz | Franz Schmidt-Hagen | F Major | 3 | 7B | 84 BPM | ||
| New Moten Stomp | Bennie Moten | E♭ Minor | 4 | 2A | 103 BPM |