On February 22, 2016, the song "Tomari Korunay Maa Go" was released by Ananda Kumar. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Tomari Korunay Maa Go only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. The popularity of Tomari Korunay Maa Go is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tomari Korunay Maa Go by Ananda Kumar having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gowriya Kandana Swami | Narasimhanayak Puttur, B. R. Chaya, K.S. Surekha | E Minor | 5 | 9A | 105 BPM | ||
| Harane Shashidharane | Ramu Maharajapuram, Lokesh Gowda, Annamayya Keerthana | F Major | 7 | 7B | 95 BPM | ||
| Kurephula Mahularasa | Santanu Sahu | F♯ Minor | 8 | 11A | 88 BPM | ||
| Maaye Thaye | Ambili | B Minor | 5 | 10A | 157 BPM | ||
| Hari Sarvothama | Radha Thandaveshwar, Rama Sadashiv | F♯ Major | 6 | 2B | 117 BPM | ||
| Nene Manave | B. R. Chaya | D Major | 5 | 10B | 145 BPM | ||
| Katrinile Varum Geetham | Ravindran, Vani Jairam, Pulamaipithan, Vaali, Na.Kamarasan, Gangai Amaran, M.G.Vallabhan | C Major | 4 | 8B | 87 BPM | ||
| Kuraiondrumillai | Ravichandra, Manikanta | D♭ Major | 8 | 3B | 93 BPM | ||
| Namosthuthe Subrahmanyane | Ramu Maharajapuram, Lokesh Gowda, Annamayya Keerthana | F Major | 7 | 7B | 93 BPM | ||
| Aathi Sivan | Raghu | C Major | 7 | 8B | 120 BPM | ||
| Lakshmi Raavemaintiki | Mambalam Sisters | D♭ Major | 8 | 3B | 147 BPM | ||
| Banni Bhaavagale | Shimoga Subbanna | D Major | 5 | 10B | 135 BPM | ||
| Benaka Ganapa | S. Janaki | C Major | 6 | 8B | 150 BPM | ||
| Sri Ganapathini | T.K.Palani Swami | D Major | 10 | 10B | 176 BPM | ||
| Nee Dhaya Radha | Thirupathi V Sathyanarayana, Valayapatti A R Subramaniyam | E♭ Major | 9 | 5B | 150 BPM | ||
| Manasi Dussahamayyo - Ahiri - Misra Chapu | N. J. Nandini | B Major | 5 | 1B | 149 BPM | ||
| Endukaya Sambasiva | Anjali Prabhala, Sankara Narayanan | B♭ Major | 5 | 6B | 119 BPM | ||
| Thillana - 1969 | Namagiripettai Krishnan | F Major | 6 | 7B | 103 BPM | ||
| Kannada Thayi Bhuvaneshwari | Rajesh | B Minor | 7 | 10A | 120 BPM | ||
| Jaya Ganesha | Mano | F Major | 6 | 7B | 156 BPM | ||
| Vara Leela Gana Lola - Ragam - Sankarabharanam, Thalam - Adi | Mambalam M.K.S. Siva | B♭ Major | 9 | 6B | 159 BPM | ||
| Getti Melam | Mambalam M.K.S. Siva, M.K.S. Natarajan, Rajamani. S, N. Sundaram | B♭ Major | 6 | 6B | 104 BPM | ||
| Hay Re Emon Jwala | Gostho Gopal Das | F Minor | 5 | 4A | 149 BPM | ||
| Dhanyalakshmi Namo (From "Sri Mahalakshmi Divya Gaanam") | Vijayalakshmi Sarma, B.Ramana, Sindhu, Usha Raj | C Major | 7 | 8B | 96 BPM | ||
| Machia Dharia | Santau Sahoo, Iswari Das | G Minor | 9 | 6A | 89 BPM |