"I'm Sorry Paul, I'm so Sorry" by Víctor Reyes had its release date on September 28, 2010. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. I'm Sorry Paul, I'm so Sorry's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 19 in Buried (Original Motion Picture Score) by Víctor Reyes. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. I'm Sorry Paul, I'm so Sorry is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I'm Sorry Paul, I'm so Sorry by Víctor Reyes is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lower Away | Roque Baños | C Minor | 4 | 5A | 93 BPM | ||
| Hospital Ward | Howard Shore | G Major | 2 | 9B | 112 BPM | ||
| The Mirror Crack'd from Side to Side | Dominik Scherrer | C Minor | 2 | 5A | 72 BPM | ||
| My Name Is Tenax | Andrea Farri | F Major | 2 | 7B | 117 BPM | ||
| Essaouira Desert/ Main Title | Alan Silvestri | D Minor | 2 | 7A | 157 BPM | ||
| Submarine Rises | Thomas Newman | D Minor | 0 | 7A | 120 BPM | ||
| Grand Jury Hearing | Danny Bensi and Saunder Jurriaans | A Minor | 1 | 8A | 66 BPM | ||
| 21 Days | Alexandre Desplat | F Minor | 0 | 4A | 84 BPM | ||
| Glorious Scoundrel | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | A Major | 3 | 11B | 96 BPM | ||
| What's This Really All About? | John Ottman | C Major | 1 | 8B | 180 BPM | ||
| Mother of Justice | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| The Eternal City - From “Spectre” Soundtrack | Thomas Newman | C Major | 0 | 8B | 75 BPM | ||
| Following Patience | Hannes De Maeyer, Ruben de Gheselle | F♯ Major | 1 | 2B | 113 BPM | ||
| New Digs | Thomas Newman | A Major | 4 | 11B | 100 BPM | ||
| Marion Looks for Rob | Joseph Trapanese | G Major | 0 | 9B | 67 BPM | ||
| Promenade of Stolen Children | Adam Taylor | D Major | 2 | 10B | 140 BPM | ||
| Horizon | Fezela | D Major | 3 | 10B | 85 BPM | ||
| Return to England | Joseph Trapanese | G Minor | 2 | 6A | 118 BPM | ||
| Mary Meets Percy | Amelia Warner | C Major | 1 | 8B | 60 BPM | ||
| Komodo Dragon | Thomas Newman | B♭ Minor | 3 | 3A | 100 BPM | ||
| Beginnings | Debbie Wiseman | D Major | 1 | 10B | 129 BPM | ||
| Meld-Merized | Michael Giacchino | F Major | 1 | 7B | 59 BPM | ||
| Struggle | Conor Randon, Moblodok | B Major | 1 | 1B | 63 BPM | ||
| Billions | Siddhartha Khosla | G Minor | 1 | 6A | 108 BPM | ||
| Horrors | Blake Neely | C Major | 1 | 8B | 76 BPM |